Disappearance at Sea 1996 is a 16 mm colour film with sound shot on location at the lighthouse on St Abb’s Head in Berwick-upon-Tweed in northern England. Using an anamorphic lens, she limited her exploration to a single continuous shot, with the camera’s eye moving in the same trajectory as the lighthouse beam, seeing what it would normally iluminate. Tacita Dean. Following the filming, the footage was edited by Dean in London. Although some of her films can be based loosely on a fictional or historical tale, the artist’s real power lies not in storytelling but in her adeptness with the medium of film itself. Jul 26, 2015 - Tacita Dean - https://www.youtube.com/watch?v=lefvPUYGvi0 Day 104 Tacita Dean (1965 -) Disappearance at Sea, 1996 Known for her beautiful, quiet and careful 16mm films, Tacita Dean has recently focused on portraits of artists in the twilight of their lives such as Mario Merz and the dancer Merce Cunningham. In 2001 the curator Clarrie Wallis suggested that Dean’s fascination with the sea ‘can be traced back to eighteenth-century notions of the sublime, where elemental forces were viewed as emblems of turbulent and ungovernable human emotions’ (quoted in Tate Britain 2001, p.9). Tacita Dean (B.1965) Disappearance at Sea I-VI chalk on blackboard, 6 panels each 94½ x 94½in. The highlight, however, was a work that was more tangible, both aesthetically and industrially, and one that considered more than just a minimalist sense of projection. Jan 18, 2021 - View Disappearance at Sea I-VI (1995) By Tacita Dean; chalk on blackboard; each 94½ x 94½in. Furthermore, the feelings of temporal disorientation Dean creates – the passage of time covered in the film does not correspond with real time – may be linked to Crowhurst’s own confusion at sea. These works can appear low-tech and employ a seemingly simple means of shooting such as the use of a fixed camera angle. The version of Disappearance at Sea owned by Tate is the third in an edition of three. Access more artwork lots and estimated & realized auction prices on MutualArt. © Tacita Dean, courtesy Frith Street Gallery, London and Marian Goodman Gallery, New York/Paris. See full bio » The work was made for the Berwick Ramparts Project, in which contemporary artists were invited to respond in different ways to the character of Berwick-upon-Tweed, and was first screened at the St Abb’s Head lighthouse in 1996. Tacita Dean was born as Tacita Charlotte Dean. 6 At the top left corner are the words ‘last scene’ and the work’s title. This relationship is further complicated by the fact that the audio was not captured on location, but rather composed from the sound of a ventilator in a fish and chip shop, which was mixed with that of a short-wave radio transmission. March 7 – May 23, 1999 Opening Reception: March 13, 8:00 - 10:00 pm. The ability to play with time, stretching and quickening it is a distinctively modern phenomenon, since the advent of photography …, The Roaring Forties: Seven Boards in Seven Days. Posted on March 16, 2016 by openboatimaginarium. Disappearance at Sea II, like its companion, is ultimately about the phenomenon of projection, of a beam of light being transmitted through a lens—in actuality, the essence of film. Tacita Dean Title Disappearance at Sea II Origin England Date 1997 Medium 16mm anamorphic color film, optical sound; 4 min. Disappearance at Sea (Cinemascope), 1996 Sixteen milllimeter anamorphic color film, optical sound, fourteen minutes Courtesy of Frith Street Gallery, London, and Marian Goodman Gallery, New York Her continued interest in the relationship between filmic technology and notions of obsolescence can be seen in works such as Kodak 2006 (Tate T12407), which was shot at the Kodak factory in eastern France using the last 16 mm film stock produced there, and FILM 2011 (Tate T14273), a 35 mm projection that was installed in the Turbine Hall at Tate Modern, London, in 2011. Shown on a loop, the fourteen-minute film consists of seven lengthy shots captured by a static camera that alternate between close-ups of the rotating lighthouse bulbs and footage looking out to sea. The lighthouse is the last human outpost between land and sea, and time is measured in the gaps between the beams of light. (240 x 240cm. The light form the lighthouse is the last limit of mainland, a band trying to disperse into the undefined borders of the sea. Shown on a loop, the fourteen-minute film consists of seven lengthy shots captured by a static camera that alternate between close-ups of the rotating lighthouse bulbs and footage looking out to sea. Disappearance at Sea II is the title of a short film made after Disappearance at Sea (1996). Disappearance at Sea, Tacita Dean 1996. Dean Research 2 .pdf - LACK OF FIT TACITA DEAN MODERNISM AND THE SCULPTURAL FILM TA M A R A T R O D D Tacita Dean\u2019s film Disappearance at Sea(1996 In this room, the film is projected onto a thin white wooden screen hanging on the gallery wall at a frame size of approximately 2800 mm by 1050 mm. The soundtrack features the noise of seagulls, waves and the wind, as well as the rhythmic mechanical movements of the lighthouse machinery. She has made three films inspired by Donald Crowhurst: Disappearance at Sea, Disappearance at Sea II and Teignmouth Electron, and stills for these are shown below. – COURTESY THE ARTIST, FRITH STREET GALLERY, LONDON AND MARIAN GOODMAN GALLERY. The sea, contemplative, magnetic, menacing: these are some of the images captured by the British artist Tacita Dean in her exhibition De mar en mar (From Sea to Sea). Disappearance at Sea can be connected to a number of related works completed by Dean in 1995–7, including Disappearance at Sea I–VI 1995, a series of six chalkboards featuring maritime sketches and labels; three postcard works featuring the St Abb’s Head lighthouse and the town in Devon from which Crowhurst set sail on his voyage around the world; the artist’s book Disappearance at Sea 1997; and the four-minute 16 mm colour film Disappearance at Sea II 1997, shot at the Longstone lighthouse in Northumberland, a location famed for the rescue feats performed there in 1838 by Grace Darling, the daughter of the lighthouse keeper. Tristan, unlike Crowhurst, embraced the ocean’s power: after being mortally wounded, he allowed himself to drift in a voyage de guérison, or journey of healing, to a magical island where he hoped to be cured once again by the powers of Isolde and her mother, the queen. Disappearance at Sea (1996) directed by Tacita Dean • Reviews, film + cast • Letterboxd The uninterrupted rotation captures the reflections in the lighthouse’s curved windows, and through them, the surrounding sea and sky. 16mm anamorphic color film, optical sound; 4 min. In the work Disappearance at Sea (1996), the observation object is the inside of a lighthouse by the sea. The film was inspired by the story of Donald Crowhurst (1932–1969), a British businessman and amateur sailor who died while attempting a voyage around the world during which he falsified his progress. Tacita Dean: Recent Films and Other Works, exhibition catalogue, Tate Britain, London 2001, pp.9–11, 18–19, 26, 74–5, reproduced p.11. 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