His father, José Fernández Castro, also “El Tomate”, was a guitar enthusiast at home and played the clarinet in the city’s Municipal Band. His musical philosophy emerged in total affinity with that of Camarón, a unique and very flamenco sound in which they featured the rhythmic breaks as part of the melody as well as exploring fully the cadences of Camarón’s Cante. La leyenda del Tiempo, released in 1979, was the first recording of a long discography accompanying Camarón. What's more, Amigo's talents are so diverse, he has successfully collaborated on stages and recordings with a host of pop vocalists, including Miguel Bose, Sting, and Alejandro Sanz. The record was certified gold and ultimately platinum before winning the 2001 Latin Grammy for Best Flamenco Album. During his time with Camarón, he alternated sell-out concerts in Spain and overseas with work at clubs and festivals playing for great artists such as Enrique Morente, La Susi, Vicente Soto, Pansequito, José Mercé, Chano Lobato, Terremoto de Jerez, Antonio Mairena, Juanito Villar, Rancapino, among others. Its deep, mysterious qualities contrast with fresh harmonies and sparks of brightness. The 1987 Paris recording remains a moving testimony to the two men's understanding. Rosario Flores & Vicente Amigo), De Mi Corazón al Aire y Otros Grandes Éxitos, Fuente del Amor - Single (feat. The concert, at which he was presented as “Pepín Fernández”, had extensive coverage in the local press, as if destiny had bestowed a certain degree of notoriety for him right from the start of his public career. Despite -- or perhaps because of -- its origins on the edges of flamenco, the album was a best-seller.Throughout the first decade of the new millennium, Amigo played on various recordings by other artists, including Pepe de Lucía's El Corazón de Mi Gente (2002), Sting's Send Your Love (2003), David Bisbal's Premonición (2006), and Pastori's Caprichos de Mujer and Esperando Verte (both 2009). At the age of three, he saw de Lucía performing on television, and only a year later he took up guitar and began formal studies with influential flamenco guitarist Merengue de Cordoba, continuing subsequently with Juan Muñoz Expósito (aka "El Tomate"). The flamenco guitarist is brilliant inside and outside his traditional sphere. See the Sneak Peek Photos! La Kika and Pepito Vargas danced there, among others, and Pedro Escalona played the guitar. The following lines appeared in the Argentinian press: “In 1998 Tomatito came to Argentina and shared stages with two of our great guitarists, Luis Salinas and Lucho González. He has collaborated with many vocalists, including El Pele, Luis de Cordoba, Niña Pastori, Carmen Linares, Arcangel, and Diego el Cigala. These three years were a key period in his career since top artists whom he revered, such as Pansequito, Lebrijano, Paco de Lucía and even Camarón de la Isla, would hear him play for other well-known singers. He began 2002 with a sellout concert at the Palais de Beaux Arts, Brussels, going on to participate in the Basel International Jazz Festival. After more global touring, Amigo returned to the studio in late 2016, emerging with Memoria de los Sentidos the following year. The set was a collection of flamenco songs with an enviable cast of singers and musicians, including Potito, Farruquito, Miguel Poveda, Pepe De Pura, Pastori, El Pele, and Arcangel. A New Stephen Hill 2A Guitar is Coming Soon to GSI – This Time with Eucalyptus Back and Sides! Tomatito returns to Latin jazz with Spain Again, again with the Dominican Michel Camilo. Amigo downplays the "prodigy" notion. There he arranged for his son to work nightly at La Cañeta’s club in Marbella. Paseo De Los Castaños (2001), and Aguadulce (2004) remain wisely in their usual register. The encounter between the two men sparked off with the album La Leyenda del Tiempo, which launched flamenco rock. Rosario Flores & Vicente Amigo) - Single, Luis de Córdoba Con la Guitarra de Vicente Amigo (feat. Copyright © 2020 Apple Inc. All rights reserved. Finally, that same year, the album Spain, a compilation of Tomatito’s work with Michel Camilo was released. Nuevos Medios, the flamenco record label, had just released Tomatito, a compilation including tracks from Barrio Negro and Guitarra Gitana, to commemorate the label’s 20th anniversary. Calle Real (1983), Viviré (1984), Te lo dice Camarón (1986), Flamenco vivo (recorded live in 1987), Disco de Oro (compilation released 1988), Soy gitano (1989), Autorretrato (remixes and unedited material, 1991), were to follow. Critically acclaimed, it prompted a tour by the pair before Amigo went off on his own global road trip. He toured and performed live -- including performances with de Lucía, who became a close friend -- the pair became so close they actually served as godparents to one another's children. Vicente Amigo) - Single, Mío Mío (feat. At 21, Tomatito returned to the city of Almeria with his family and still lives there. In the 1980s Amigo decided he wanted to be a live performer exclusively. This exceptional human and artistic complicity continued until the death of Camarón de la Isla in 1992. Our guitars are selected with special woods and specially designed with professional guitarist for guitarists. Another of his important collaborations was with the Turkish baglama maestro Arif Sag with whom he toured Europe in 2000. In 2003, he reprised his partnership with El Pele on Canto; all but one of the collection's ten songs were composed by Amigo. During this period, Amigo also began composing in earnest, developing a skill that others would come to envy in the future. This was the first encounter Tomatito would experience with José Monge Cruz, one which would lead to an 18-year professional relationship up to the singer’s tragic death in 1992. Ariel Ameijenda Builds a New Guitar for GSI. The album featured solo pieces as well as orchestral and folk-inspired tracks influenced by Metheny's large-ensemble work, with production details and arrangements inspired by Mike Oldfield. However, he never deviates too far from the music that literally flows in his veins and collaborates in 1993 with the singer Duquende for Duquende y la Guitarra de Tomatito. In spite of having recently ventured into many other musical fields, this album is pure flamenco, with Tomatito’s own personal sound. He played in the company of guitarists including de Lucía, Keith Richards, Steve Vai, Joe Satriani, Phil Manzanera, and Richard Thompson. Watch The Videos and Learn More About “Unfettered” – the Duo’s Newest Album! Tomatito has more recently toured Japan and Switzerland as well as played the Town Hall Theatre in New York and the Lisner Auditorium in Washington D.C. He is the son and nephew of flamenco guitarists both nicknamed "El Tomate", he logically becomes "Tomatito" (the little tomato, but here the little one of "Tomato") as soon as he touches his first guitar at the age of ten. Tomatito’s affinity with the Peña El Taranto in Almeria won him, in 1985, the Taranto de Oro prize and later, in 1988, the ‘Lucas Lopez’ award. 1997 was an important year in Tomatito’s career, with an explosion of activity coinciding with official recognition of his work by the Andalusian Autonomous Government in the form of the Silver Medal of the Community. In 1970 his father, El Tomate, took the family to live in Málaga, where he played in local orchestras. He learnt his first chords from his father and grandfather and showed strong musical talent and almost innate ability from an early age. There he arranged for his son to work nightly at La Cañeta’s club in Marbella. The following year, he created the score for the German film Bin Ich Schoen directed by Doris Doërrie. Singer El Pele (Manuel Moreno Maya) changed his mind toward the end of the decade, and after making his debut on Camarón de la Isla's album Soy Gitano in 1989, Amigo worked with El Pele on a pair of dual-billed dates in 1990 and 1991, Poetas de Esquinas Blandas and La Fuente de lo Jondo, both on Pasion Discos. 5, Avenue Barthélémy Thimonnier It won a Latin Grammy for best Latin-Jazz recording. The Tony Gatlif film went on to obtain the César prize for best soundtrack and signified nomination for Tomatito for the Premio de la Música in 2001. Pastori and Sanz were among the singers who appeared on 2009's pop-centric Paseo de Gracia. His family is associated with Almería since many generations back and has an inherent musical tradition. His father, Tomatito, and his great-grandfather Miguel Fernández Cortés “El Tomate” have been his main inspiration, although he also recognizes strong influences from Sabicas, Paco de Lucía, and, particularly, his uncle “El Niño Miguel.” Tomatito also collected another Grammy for best flamenco recording for the live album París 1987 on which he played for Camarón de la Isla. He played such diverse events as Espárrago Rock 98, in Granada, Nuits de la Guitare de Patrimonio, Corsica, sharing the bill with Irakere and Chick Corea, Mont-de-Marsan Flamenco Festival, France, as well as in Finland at the Tampere Flamenco Festival. Camarón, who was working at the time in the prestigious Torrebermejas club in Madrid, often spent time in Málaga. Aside from accompanying the dance troupe Tomatito played solo, normally Entre dos aguas by Paco de Lucía. His brothers and thus Tomatito’s uncles, were Antonio, who played the bandurria as a youngster and later developed a career as a guitarist in France playing for artists such as Paco Isidro, and also Miguel “Niño Miguel”, who became a virtuoso classical guitarist in Huelva where he still lives. Born in Guadalcanal outside Seville in 1967, Amigo was a child prodigy. Amigo did not record under his own name again until 2001's Ciudad de las Ideas, an album that topped the contemporary flamenco charts and featured three hit vocal numbers with Aznar, Khaled, and El Cigala. In 1995, he released the instrumental collection Vivencias Imaginadas, featuring a kaleidoscopic variety of bulerias, rhumbas, fandangos, and other tunes including the nine-and-half-minute "Querido Metheny," a tribute to jazz guitarist Pat Metheny. Latin Grammy winner Vicente Amigo is among the most influential flamenco musicians of his generation. If he can be defined at all, the evidence of his myriad skills can be found on his well-rounded, Grammy-winning 2001 album, Ciudad de las Ideas. After the national tour presenting the new repertoire, Tomatito played with Camilo at the major European Jazz Festivals including North Sea, Umbria Jazz and Montreaux. As a guitarist, Amigo was also deeply influenced by jazz and fusion players such as Stanley Jordan, Al Di Meola, and John McLaughlin -- he has shared stages with the latter two.Born in Guadalcanal outside Seville in 1967, Amigo was a child prodigy. Joining forces with his close friend Raimundo Amador, the two toured Spain as Raimundo & Tomate throughout the summer of 2002. Given the thorough and painstaking manner in which the guitarist researched the way various sounds and folk styles came together, and the passion involved in the performances, the record was greeted with commercial and critical enthusiasm. This first album by José Fernández, el niño del Tomate, proves his success is not about natural born talent, but working hard, believing in yourself, and being committed to your own music.

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