One of the coolest, craziest, and most consistently inspired comedies ever made, Robert Downey Sr.'s Putney Swope is a hilarious and unhinged portrait of a Madison Avenue ad agency turned on its ear by the turbulences of the 1960s. When I first wrote about the film, I mentioned that, despite it being a documentary (ha, ha), it was really the perfect, crowd-pleasing, popcorn flick. When you have a movie-going experience like that, you’re on the phone to all your friends telling them to go see it. To learn more about Pratt’s privacy policy, visit www.pratt.edu/privacy. An unnamed devoted mother sells herself by night on the streets of Shanghai in order to support herself and her infant son. The fact that the film has played all over the world, the fact that you and I are talking about this right now, the fact that it’s about to have a national theatrical release, is literally mind-blowing for me. IFC has acquired the North America rights. . I don’t blame you at all for wanting to try and duplicate that with your public audiences. We had just an incredible time. Nominated for a Best Foreign Language Film Oscar. We had this experience similar to what you described. Because I think it’s marvelously expressive. I have people that when I was a youngster make it possible for me to get positions that normally I could never have attained. Sign up for a print + digital subscription now and save 40% off the cover price. Did your intent and motivation for this film change throughout filming it? I don’t even know if Jack necessarily recognized that when he was thinking about being involved in the project or sitting with us for an interview. . He’s up in his cabin in northern California reading Kant and John Locke and then moves on to sections of the Torah, or Christopher Hitchens’God Is Not Great. That clip, obviously, is my favorite type of this kind of media we have. I started out making the movie because I was a big fan of the clip. I was used to operating with camera crews, and audio people, and grips, ecetera who were at the highest levels of media. Jack doesn’t want to be a part of the world. It can only be a matter of time before JR and Colin arrive at the strangest and most unsettling of resolutions and put to rest their decades of animosity, half-baked sibling rivalry and endless bickering. In any event, it was absolutely magnificent. As evolved as we like to think we are, we still have a really hard time expressing anger unless it’s staged in some kind of parody. . We’re so bombarded with “commentary” that it’s so great to come to something really fresh like that. Ben, I have a question for you. During the 60's and early 70's as the war in Vietnam threatened its borders, a newmusic scene emerged in Cambodia that took Western rock and roll andstood it on its head. BOMB includes a quarterly print magazine, a daily online publication, and a digital archive of its previously published content from 1981 onward. Starts Fri/30 2:25, 4:45, 7:15, and 9:45 p.m. With introduction by the Dead Kennedys East Bay Ray and post show Q&A with Jack Rebney and Ben Steinbauer at Fri/30 and Sat/31’s 7:15 and 9:45 shows, also playing at Shattuck Cinemas (2230 Shattuck, Berk. An irascible ex-TV news anchor shoots a promo video for Winnebago in Iowa in the summer of 1988. In a piece of footage we didn’t end up using in the final version, Keith says, “Jack’s expectations for the human race are way too high.” When Jack calls up to cancel a magazine subscription, he expects the clerk on the other end to be the equivalent of a Rhodes Scholar. Affecting and stunningly photographed, My Darling Clementine is a story of the triumph of civilization over the Wild West from American cinema's consummate mythmaker. The songs range from the hilarious "Make 'Em Laugh" performed by O'Connor, to the delicate "You Were Meant for Me" and the show-stopping classic "Singin' in the Rain" solo by Gene Kelly. I’ve run into Ben and his production team, Joel Heller and Malcolm Pullinger, several times on the festival circuit over the past year, and they have always shared their war stories with me about trying to find and sign with the right distributor. Gaining access to many of the leaders of the Black Power Movement—Stokely Carmichael, Bobby Seale, Angela Davis and Eldridge Cleaver among them—the filmmakers captured them in intimate moments and remarkably unguarded interviews. Director Joe Gibbons will be in person to present the premiere of his 2014 short filmWe Gotta Get Out of Here. It’s very linear, the way it’s put together, and so there is this kind of rollercoaster effect for people who are watching it for the first time. Jack Rebney, ironically, will probably experience even more notoriety now, after the release of Winnebago Man last week. One of Susan Sontag's favorite films, this powerful work reveals the evolution of the cinematic method and dark metaphysical style that Hungarian auteur Bela Tarr made famous in Santantango and Werckmeister Harmonies. Thus, his adventure began. Even though it’s based on a clip that’s seen on YouTube, which is something that’s usually consumed on an individual basis, the film is definitely something better viewed by an audience watching it together. To answer your question, we really do want to protect these twists and turns in the plot, the unexpected ups and downs that are funny and poignant and revealing. In the 1990s, a VHS tape was passed around from person to person starring “Winnebago man,” the world’s worst camper salesman. Contemplative and enthralling, Bestiare is cinema at its purest. After taking over the country on April 17, 1975, the Khmer Rouge began wiping out all traces of modernity and Western influence. In order to create the proper atmosphere of trance and sleepwalking, the entire cast acted under hypnosis. BS: Jack worked in media at a time when the news was shot on 16mm film. Volker Schlöndorff and Margarethe von Trotta's powerful adaptation of Heinrich Böll's novel is a stinging commentary on state power, individual freedom, and media manipulation––as relevant today as on the day of its release in 1975. Hollywood afforded him the technical resources to unleash his imagination, and in turn he opened up the power of camera movement and composition for a generation of American filmmakers. But it makes sense. The crew made copies of the tape for one another, and then showed them to friends, who made copies, who showed them to their friends who made copies and that is how the tape spread across the country before video sharing sites turned it into an international phenomenon. "The Winnebago Man”—an ‘80s RV salesman whose hilarious, profanity-strewn, on-the-job meltdown was captured on video and passed around on VHS tapes, before exploding into … Director Laura Mulvey will be in attendance Laura Mulvey and Peter Wollen's visually accomplished and intellectually rigorousRiddles of the Sphinxis one of the most important avant-garde films to have emerged from Britain during the 1970s. If you hit your thumb with a hammer, you don’t say golly wompers. A feast of colorful photography and captivating, idiosyncratic characters, the tough and tenderSweetieheralded the emergence of this gifted director, as well as a renaissance of Australian cinema, which would take the film world by storm in the nineties. The film takes an intimate look at the lives of three cab drivers as they confront modern issues and changing values against the backdrop of the 2008 Summer Olympic Games. It seems like it’s this all-American thing to do, to go and be a hermit in the woods for a certain amount of time. PC Let’s talk, then, about your decision to market this film as a comedy and why that’s so important. But is it a case of mistaken identity? Black and white images seem to float out of an endless drunken dream. The wrestlers aren't paid for their passion, but they treat wrestling like any artist treats their work. We all know that “documentary” as a brand could use a lot of help in finding its audience. —DVD Times. PC The way in which we encounter and get to know Jack is really unusual in another respect, even overshadowing the consequences of his fame, somewhat. Then, coincidentally, there is this photographer named Grant Hamilton who is a Polaroid aficionado and uses really old Polaroid cameras to take very close-up, beautiful, slick graphic design-based photos of stripes from the sides of Winnebago vehicles. They liked it a lot, thought it “surprisingly insightful and intriguing.” However, they also said that their “conservative, Midwest culture made it a little difficult for them to listen to portions of the film without cringing a bit at the colorful language.” But, we did walk out of there with a lot of Winnebago merchandise. SFBG: Jack, do you remember the original Winnebago shoot? BOMB’s founders—New York City artists and writers—decided to publish dialogues that reflected the way practitioners spoke about their work among themselves. Considered by many to be the finest musical comedy of all-time, Singin' In the Rain is sheer delight. The audience for the third screening was about 800 people. Cut to four years later when YouTube was popping up and there was this idea of accidental celebrity, or unwanted notoriety. She then takes off alone, headed straight for Times Square, and making her way through clamoring throngs of real people. He expresses himself in a very articulate and intelligent way. His story is also an object lesson in unwanted celebrity in this viral video culture. "The Citizen Kane of Horror Movies" —Cinefantastique. Director Göran Olsson and co-producer Danny Glover bring this footage to light in a mosaic of images, music and narration chronicling the evolution one of our nation's most indelible turning points, the Black Power movement. Chris Marker, filmmaker, poet, novelist, photographer, editor, and digital multimedia artist, challenged moviegoers, scholars, and himself for years with his complex essays about time, memory, revolutionary politics, and the rapid advancement of life on this planet. “My life has been dedicated to a kind of existential research. Ben Steinbauer: You’l l never guess who the pony is. Starring silent film legend Ruan Lingyu in one of her final roles before her tragic suicide at age 24, The Goddess is considered one of the greatest films from China's cinematic golden age. A hyper-stylized mixture of physical violence and verbal comedy, Dogtooth is a darkly funny look at three teenagers confined to their parents' isolated country estate and kept under strict rule and regimen—an inscrutable scenario that suggests a warped experiment in social conditioning and control. Following a two-week shoot in August 1988 for a Winnebago sales ad, a 4-minute outtakes reel surfaced and eventually came to be known as "Winnebago Man."
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