| Finally, she explodes, and shows her true colors. "Yer sharp-shootin', yer cheap, and how you squeal when you get what's comin' to ya.". Scroll down to learn more about the infamous film! Talking pictures were still a relatively new thing, and dialogue was still a clunky novelty: like many films of the era Freaks could probably work almost as effectively—or more effectively—as a silent movie. When he was a kid, he worked as both a clown as a contortionist, giving him a real-world familiarity with the inner workings of a circus community. Director Tod Browning was on the cusp on being one of the biggest filmmakers in Hollywood, yet his follow-up film has become one of the most controversial in history: Freaks. The strange and unusual are simply part of normal life here, and what would require extraordinary effort for us to imagine is just day-to-day necessity for the differently-abled. Additionally, the film depicted these "freaks" as being the sympathetic characters, as opposed to treating them as spectacles to be gawked at. I was glad to hear you're joining us in June: looking forward to it. Reissue prints included a two-and-a-half minute written prologue about historical interpretations and contemporary studies of "misshapen misfits." In a special series of The Unenthusiastic Critic, N. has agreed to watch as many horror movies as we can fit in between now and All Saint’s Day. (You and I must have a similar sense of humor, for better or worse.). Goofs Venus, meanwhile, has rebounded into a relationship with a clown, Phroso (Wallace Ford). Even without that stronger ending, however, the code of the freaks is perfectly clear: don't fuck with us. If this wasn't clear to Hans before, it certainly becomes clear at the wedding feast. It's a sweet gesture—albeit an incredibly creepy one—and it keeps going and going, and Cleo's face grows more and more horrified at the idea that she could ever be considered one of them. Connections The first thing Hans says to Cleo in the film is, "Are you laughing at me? Hans begins spitting out his "medicine," and he and his friends conspire a plan for revenge. The film focuses on a group of sideshow performers with one of the attractions, Hans, having immense wealth. ", Little people Hans and Frieda are engaged to be married, but Hans is not even bothering to hide the fact that he is increasingly obsessed with trapeze-artist Cleopatra (Olga Baclanova). Trivia Has anyone heard about the original ending sequence to the 1932 MGM film; Freaks by Tod Browning? Tod Browning (best known as the director of Dracula) had spent years traveling with circuses and carnivals in his youth—he had been both a barker and a performer, billing himself as a "Living Corpse" in an act that apparently required him to be buried alive—and so was drawing on both his personal experiences and his contacts in adapting Tod Robbins' revenge story "Spurs" for the big screen. Experiences of various members of the cast give conflicting experiences, with some praising the filmmaker while others deemed the experience awful. While there is undoubtedly a large element of voyeurism and exploitation to Freaks—it is itself a freak show, of course, putting these people on display to shock and titillate us—what is remarkable about the film is how normal they quickly come to seem, and how Browning balances the sensationalism with the mundane realities of their lives.
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