I met everybody who worked in theater or was famous in theater from the '40s on.” -- Harold Prince, “I would like to see more new productions of new material by new composers/lyricists/book writers. And they're probably as valuable as any of your successes.”, “It's a terrible shame if you're born the brightest guy in your class. #Boat #Shows “I've never been able to understand where great artists come from.”-- Harold Prince . Despite the successes, you remember the failures - rather lovingly. I’m always glad to see somebody rethink something rather than reproduce something I did. I like to do everything you can possibly do before you go into rehearsal, because once we are in rehearsal or on the stage there will be a problem I didn't anticipate. The director, ultimately, is the guy in front of whom the buck stops. It's really good to think we got it all nailed - of course you've never got it all nailed. Nobody has yet proven that taking a chance and doing something unique that an audience isn’t used to is a bad idea. I was in college." I've always loved Victorian melodrama. And they’re probably as valuable as any of your successes. There's plenty of room for rock musicals, just not all rock musicals. I'm on a single track here - I work to direct what I want to see onstage. I'm always glad to see somebody rethink something rather than reproduce something I did. All these actors who died before I was born, all the theaters and the artistic movements - all that stuff fills you up and makes you feel like you're the inheritor of all this information and of all its passion. So would Mary Martin, the great stars. I was nine. Lyrics can't do what they do - or should do - when you're creating a musical with rock lyrics. I think you always have to be aware of the work that came before and build on that. After all, that's what theatre is, it's an empty space, and it's both limited and unlimited because the space is the space, but what you can do with people's imaginations is really endless. They only know what interested the audience last time.”, “Producers want to put their music behind revivals but I don't think that's a good trend for the theater at all.”, “The idea that I have to be on the same side of the fence as Dan Quayle is cruelly depressing to me, but the truth is, I believe in family values.”, “The musical has always been in jeopardy - until - or was in jeopardy until it was realised that it is probably the safest living theatre art form.”, “The truth is, for some absurd reason, no one is willing to admit that the interests of the producers and the theater owners are not the same.”, “There are wonderful composers and librettists out there. I don't thrive on chaos. I feel so much more comfortable when I'm working on material which makes other people scratch their heads and ask, 'You're going to make a musical out of that?'. And you can’t keep betting on the efforts of guys like me who’ve been around. They don’t anymore. Some have always been successful. I took charge of the visuals – scenery and costumes and so on. #Artist #Able #Great Artist “Audiences are quite happy to be astonished, and they don't care who does that astonishing.”-- Harold Prince . I like what the theater can provide in energy and bombast – I enjoy it when it’s large, and by that I don’t mean in size, I mean in emotions. It’s very different. The musical has always been in jeopardy - until - or was in jeopardy until it was realised that it is probably the safest living theatre art form. I'm not stopping. I don’t thrive on chaos. If you're not, then you have to hustle-and that's good.”, “I've seen a lot of 'Show Boats,' but I've never seen the one that thoroughly satisfies me.”, “I've never been able to understand where great artists come from.”, “Audiences are quite happy to be astonished, and they don't care who does that astonishing.”, “Criticism is valuable... and self-congratulatory experiences are not.”, “Despite the successes, you remember the failures - rather lovingly.”, “I always had a good time in theatre, even when shows don't turn out as well as I'd like.”, “I didn't go into the theater to be a producer, I went into the theater to be a director.”, “I don't like abrasion while I'm working. The truth of the matter is that I have lasted a long time, and with it comes both good and bad things. I loved it. And a little bit in the present. "The perfect expression of receiving a … Free Daily Quotes. It’s fine when you careen off disasters and terrifyingly bad reviews and rejection and all that stuff when you’re young; your resilience is just terrific. It's the most scary, to sit down and dictate a musical scene by scene. I think you always have to be aware of the work that came before and build on that. And, I love black boxes. It's very simple. Some things will be creatively successful, some things will succeed at the box office, and some things will only - which is the biggest only - teach you things that see the future. Enjoy over 1 Million Quotes by Famous Authors & Celebrities. I wouldn't want to be just pigeonholed as an extravagant director. And I’ve always liked larger-than-life theater, providing it’s truthful and honest. A star may guarantee business, but the tradeoff is a very short run. I discovered it. Now, you come from Hollywood, you play 12 weeks and go away. What the theater lacks is that kind of courage. Share with your friends. A star may guarantee business, but the tradeoff is a very short run. I've seen a lot of 'Show Boats,' but I've never seen the one that thoroughly satisfies me. But I do think there is responsibility to move the musical theater form forward. I don't like abrasion while I'm working. Some things will be creatively successful, some things will succeed at the box office, and some things will only - which is the biggest only - teach you things that see the future. I suspect there is a lack of creative guidance, and that would not be solely the responsibility of a director but also a producer. It’s the lack of creative producers that is troubling. You have to take the next step and bet on the next generation. You can't just keep recycling revivals. It's the lack of creative producers that is troubling.”, “We've got to find a way to protect the process of making musical theater.”, “What's missing in the musical theater is producers willing to nurture new work, raise the money and put it on.”, “You think, 'Musicals, they must always be romantic' - You'd be surprised how few of them historically have ever been romantic.”, “Artistic self-indulgence is the mark of an amateur.

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