Parasite essentially puts an absurdist spin on both the concept behind Hirokazu Kore-eda’s sentimental Shoplifters from last year and the bitter class commentary that underpins Nagisa Oshima’s 1969 film Boy. After 'Lady' failed to win any Oscars, it became apparent that the initial response had been overblown, much like the movie itself. The LPCM mono track is clean and clear, nicely conveying composer Paco de Lucia’s surprisingly menacing flamenco score, not to mention the clangorous title theme from Eric Clapton. As the characters near the French border, Parker recounts the legend of Roland and Olivier making their suicidal stand against the Saracens during the Battle of Roncevaux Pass in the Pyrenees, which they are just then traversing. YOU need to get this for the extras, Barry G, Ms. Ross, Billy D, deleted scenes and also the other actors. I contacted Amazon after the first dvd came to me defective and they replaced it with another defective dvd. This 1980 Brazilian drama mercilessly puts its eponymous 10-year-old protagonist (Fernando Ramos da Silva) through the wringer of poverty, crime, abuse, and trauma. (The film’s skewed attitude toward fathers in general is compounded by the “Have you met my daughter, Erica?” gag later on.) We soon learn, though, that Dave isn’t much of a hero and all that commotion was part of a scam cooked up by Roff and his manager (Wheeler Oakman) to sucker locals into betting their drinking money on Dave, who’s been paid off to take a dive in the second round of an upcoming match with Roff. A dynamic debut performance by Diana Ross, a memorable supporting performance by a young Richard Pryor. The box set also comes with a 76-page booklet featuring essays from critics Dennis Lim, Adrian Jonathan Pasaribu, Stephanie Dennison, Elisa Lozano, Aboubakar Sanogo, and Hamid Naficy. Factual errors aren't the point - all biopics play with the truth for dramatic reasons, but the story here is inept. She plays the famous Billie Holliday who makes it to the top. For one thing, mob informer Willie Parker (Terence Stamp), actually reads. Great music and score by Michel Legrand. Pavese, who committed suicide in 1950, emphasized throughout his writings man’s inherent isolation and alienation, and frequently treated the motif of betrayal—themes that are just as germane to Frears’s film. When his death is still remote, set for a certain day, and expected to come in a certain manner, he remains calm. They did not expect me to fully understand the film and they probably assumed that I would probably sleep through it (they had me dressed in my pajamas). The many ups and downs of this famous singer are brought to life with Diana's performance. Interviews are included with crew members, including editor Yang Jinmo and cinematographer Hong Kyung-pyo, who notes how he crafted the film’s look by making wide-angle lenses that didn’t distort the dimensions of the image. The 5.1 surround remix puts some heft into the near-constant big band music, but there’s not all that much dimensionality to merit the effort. Or has it? I don't know that the film is technically a musical, but it is the closest thing to one I can think of, that I completely enjoyed. Where Robert is keen to resume their affair as if nothing happened in the intervening years, Inge dreams of moving to Canada with her American husband and leaving Germany forever behind. The resultant contrast between abundant light and incipient darkness, as Braddock faces his own certain demise, makes for a truly compelling final flourish. In a cut to a close-up of Dave, Wyler highlights the conflicted nature of his protagonist’s reaction, finding him simultaneously horrified and proud that the boy is already so streetwise at such a young age. He goes on to discuss leveraging the popularity of the script into a directing gig, using library music because they couldn’t afford a full score, why he likes shooting in bathrooms, and the development of his directorial style over the course of his career from minimalist by necessity to minimalistic by preference.

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