Elizaveta Ivanovna (yeh-lih-ZAH-veh-tah ee-VAH-nohv-nah), the poor ward of the Countess. In his final scene, there was a sense of control and measurement as he sang his final aria, his sound bright and even suggesting the first bit of sunshine in his interpretation of the misanthropic Hermann. After the Countess retires, Liza asks Herman to leave but is betrayed by her feelings and falls into his embrace. Any good performance of this opera needs a good Hermann. Dazed, Herman repeats the three cards she tells him—three, seven, ace. Then it shifts to the brooding of its central protagonist Hermann before moving into darker and darker terrain that includes talks of a fateful prophecy, suicide, failed love, fear, death, and even the beyond. Director Stefan Herheim’s answer is that Yeletsky is a projection of Tchaikovsky’s inner self; the production’s dramaturg Alexander Meier-Dörzenbach describes him as “an ideal character too good to be true” with whom “Tchaikovsky tries to put himself on a par”. The Question and Answer section for The Queen of Spades is a great Liza slips Herman the key to her grandmother's room, saying the old woman will not be there the next day, but Herman insists on coming that very night. Synopsis: The Queen of Spades Select a language to update the synopsis text. Librettist. Again, his sound was consistent and his singing well-supported, the upper range very solid. resource to ask questions, find answers, and discuss the novel. This one is followed by a dark room that Hermann slowly opens up into a larger space dominated by the portrait of the Countess. After first turning it down, Tchaikovsky accepted it in 1889. This product includes GeoLite2 data created by MaxMind, available from, https://bachtrack.com/files/97137-0050-vladimir-stoyanov-as-yeletsky-in-the-queen-of-spades--c--roh-2018--photographed-by-catherine-ashmore.jpg, https://bachtrack.com/files/97166-0303-eva-maria-westbroek-as-liza-in-the-queen-of-spades--c--roh-2018--photographed-by-catherine-ashmore.jpg, https://bachtrack.com/files/97141-0410-aleksandrs-antonenko-as-gherman-in-the-queen-of-spades--c--roh-2018--photographed-by-catherine-ashmore.jpg, https://bachtrack.com/files/97143-0534-felicity-palmer-as-countess-and-cast-in-the-queen-of-spades--c--roh-2018--photographed-by-catherine-ashmore.jpg, https://bachtrack.com/files/97145-1305-vladimir-stoyanov-as-yeletsky-and-cast-in-the-queen-of-spades--c--roh-2018--photographed-by-catherine-ashmore.jpg, Orchestra of the Royal Opera House Covent Garden, 2019-Jan-13, Royal Opera House, Covent Garden: The Queen of Spades (Pique-Dame), https://bachtrack.com/opera-event/the-queen-of-spades-pique-dame-the-royal-opera-royal-opera-house-covent-garden-13-january-2019/289051, https://schema.org/OfflineEventAttendanceMode, https://bachtrack.com/files/57341-royal-opera-house-logo.jpg, https://bachtrack.com/themes/bachtrack2013/mastheadlogo.png. Even in his final duel with Hermann, a scene in which he is bloodthirsty, Golovatenko retained the elegance of the nobility, providing stark contrast to Eyvazov’s more disconcerted characterization. She is disheartened and disillusioned when she learns that Hermann has pursued her not out of love but only as a means to secure access to the Countess and her card secret. The opera was first performed at the Mariinsky Theatre in St Petersburg on 19 December 1890. Her forte sound resounded the hall and her softer singing resonated just as wondrously. It felt like the unyielding, cold presence of death. In the supernatural scenes, Tchaikovsky uses the whole-tone scale like Glinka did in his operas. Like Hemingway would do a century later, Puskin opted for sparse... What was the Russian name for the Queen of Spades in the opera named The Queen of Spades? Catching sight of Herman, the two women note they have seen him before, staring at them with frightening intensity. Jill Grove also made the most of her single appearance, her rustic sound providing a perfect counterpoint to Maximova’s preceding aria; there was a sense of a generational shift between the two characters and their differences, adding yet another layer to this opera full of foils. Learn everything you need to know about Herman, Countess Anna Fedorovna, and more in The Queen of Spades. Tchaikovsky’s brother Modest helped him to prepare the libretto (words) for the opera. Tomsky is grandson to the Countess. The Queen of Spades (Russian: Пиковая дама, pronounced Pi-KO-va-ya DA-ma) is an opera by Tchaikovsky.It is based on a short story by Alexander Pushkin.Sometimes it is known by its German title Pique Dame.. The ubiquitous presence of Tchaikovsky – kibitzing in every intimate scene, incarnated into the clothing and make-up of every man in the chorus – soon became an annoying distraction: it lessened my empathy for the man rather than heightening my sensibility to him. Lizaveta Ivanovna is a ward of the Countess. This was particularly chilling in the final scene of Act three with its incessant lower string ostinato haunting Hermann’s entrance into the Countess’ chambers. He also had the opportunity of interviewing numerous Oscar nominees, Golden Globe winners and film industry giants such as Guillermo del Toro, Oscar Isaac and John Leguizamo among others. From Simple English Wikipedia, the free encyclopedia, https://simple.wikipedia.org/w/index.php?title=The_Queen_of_Spades_(opera)&oldid=4628256, Articles containing Russian-language text, Creative Commons Attribution/Share-Alike License. Critics gave rave reviews. Hermann can only think of one thing: he wants to find out the secret of the three cards so that he can gamble and win lots of money. Even though he had to deal with constant curtains between scenes, he never flagged in having scenes build on top of one another and as such you got the sense of the opera’s increasing darkness taking over from the start with every texture of the orchestra perfectly visible. The first two cards are the Three and the Seven, but the third card is not the Ace, it is the Queen of Spades. At the Met, Tchaikovsky’s complex storytelling was furthered by Elijah Moshinsky decades-old production. But, her shining moment was undeniably the third Act solo “Utzh polnoch blizitsya,” that commences the second scene. Again, she crescendoed, allowing her voice to unleash even more surprising power. Herheim mixes the events from the opera's story with episodes and thoughts from the composer’s own life – or to be more precise, since there are many conflicting versions of what happened, a particular view of the story: Tchaikovsky as a man tormented by his homosexuality, dying of cholera after intentionally drinking a glass of contaminated water. Tchaikovsky wrote some of his greatest music in this opera. Shocked, he imagines that the losing queen of spades playing card winks at him; he goes insane and is committed to an asylum. His repetition of the main melody featured even greater emotional extremes with the baritone starting off softer and gentler before building with greater intensity. She awakens in horror as he pleads with her to tell him her secret. GradeSaver "The Queen of Spades Characters". Herman slips into the Countess's room and looks in fascination at her portrait as the "Muscovite Venus"; musing how their fates, he feels, are linked: one of them will die because of the other. This was undeniably present in the third act where you felt her move from desperation to excitement to heartbreak and then toward her decision to kill herself. Every element in the visual component of the production is truly immersive and serves the story that is already so powerfully explored in this masterpiece of an opera. Tchaikovsky gave her “Je crains de lui parler la nuit” from Grétry’s “Richard Coeur-de-Lion” as a melancholic moment of remembrance. At other times it can sound very Russian. He matched Davidsen note for note in their final duet in Act three; while they were united and melded well together, it also felt as if they were given liscense to simply unleash their sounds in contest with one another, suggesting the disconnect between the two. Herman realizes that Liza is his unknown beloved. Herman, intent only on betting, starts with a huge bet of 40,000 rubles. Tomsky says only two men, her husband and, later on, her young lover, ever learned the secret of playing three special cards, because she was warned by an apparition to beware a "third suitor" who would kill her trying to force it from her. She tenaciously guards the secret during her lifetime. Superstitious and fearful that the Countess may take revenge on him, he attends her funeral to ask her pardon and imagines that she winks at him when he bends over her coffin. The changes can be found in the proof sheets and inserts for the first and second editions of the printed version of the score. His wife Medea Mei-Figner played the role of Liza. The Bolshoi Theatre premiere took place the following year. At 60, he is distinguished-looking with silver hair, a fresh face, sparkling eyes and a bright smile. In its 25th anniversary season, Richard Eyre's production continues to attract the world's great sopranos to the role of Violetta, the latest being Aleksandra Kurzak. Start your 48-hour free trial to unlock this The Queen of Spades study guide and get instant access to the following: You'll also get access to more than 30,000 additional guides and 300,000 Homework Help questions answered by our experts. When she remains speechless, he grows desperate and threatens her with a pistol—at which she dies of fright. In the closing pages of the aria, he shifted up and down in his vocal temperament, adding to this tension until his voice really unleashed its full potential on the climactic repetitions of “Three Cards,” the final high G blasting into the hall. Photo: Ken Howard ... she was committed to finding the inner life of her character, crafting an emotional arc for each of her scenes. Although passionate by nature and a gambler at heart, Hermann controls his emotions.

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