The Shawshank Redemption is at the top of IMDB as the greatest film of all time, and I think it is safe to say Roger Deakins is a big part of that title. Roger Deakins is currently the cinematographer on the upcoming Sony Pictures Animation film, Lin-Manuel Miranda's Vivo. He was a co-founder and trustee of Common Ground, the arts, culture and environment organisation. [1] His father ran a construction company, while his mother was an actress and amateur painter. Reese Brucker. There is more than one way ... Focal Length basicsShallow FocusDeep Focus Cinematographic and photographic techniques like shallow focus can serve ... , and recently he won the Academy Award in Cinematography for. Build up your Halloween Watchlist with our list of the most popular horror titles on Netflix in October. The real Eddie Mannix died in 1963. While the Academy finally recognized Deakins work, most of us have been in awe of him long before that. [14], Deakins worked with the Coens on the 2010 western True Grit—their eleventh collaboration—for which he received his ninth Oscar nomination. SC Lannom is a screenwriter and director living in Los Angeles. Character studies don’t need to focus on a single character, and in this case there were many including the setting. [2] An early project of his involved filming a nine-month trip on a yacht as an entrant of the Whitbread Round the World Race, titled Around the World with Ridgeway. Showing all 170 wins and 157 nominations. [33][34], Deakins was honoured by Queen Elizabeth II as a Commander of the Most Excellent Order of the British Empire (CBE) in the 2013 Birthday Honours, for "services to film. "Blade Runner 2049" (2017), and "1917" (2019). R oger Deakins cinematography includes Fargo, Skyfall, Sicario, No Country for Old Men, and finally he won an Academy Award for Cinematography for Blade Runner 2049 and again in 2020 for 1917. [3] He took up painting from a young age, and subsequently enrolled in the Bath Academy of Art in Bath, Somerset, where he studied graphic design. Fargo is one of those Roger Deakins movies that really makes the setting a character. Kundun is an amazing film, and it is the only Roger Deakins movie where he was able to collaborate with director Martin Scorsese. You may ask Roger questions in the forum area, read his current “musing”, look at lighting plans. Episode 48 - ROB LEGATO - VFX Supervisor by Reese Brucker. 100% [1] When Ryan Gosling accepted his role in Blade Runner 2049, he cited the involvement of Deakins as a factor for his decision. [39][40][41] His first Oscar win (on his 14th nomination) for Blade Runner 2049[42] at the 90th Academy Awards was widely reported and met with great enthusiasm. Prisoners is the first Roger Deakins movie where he collaborated with director Denis Villeneuve. 13% The camerawork of the miniseries impressed his former schoolmate and frequent collaborator Michael Radford, who enlisted Deakins for their first dramatic feature, the 1983 film Another Time, Another Place. Roger Deakins movies aren’t defined by their opulence, but rather by the perfect connection from the narrative at hand to the visuals on screen. This was The Coen Brothers first film to be shot in the 2.39:1 aspect ratio through the Super 35 format. Deakins' first feature film in America as cinematographer was Mountains of the Moon (1990). If Roger Deakins doesn’t inspire you to shoot your next project, I don’t know what will. He also made short music videos for Herbie Hancock, Eric Clapton, Marvin Gaye, Tracey Ullman, Madness, Level 42 and Meat Loaf.

The two proceeded to collaborate on Sicario (2015) and Blade Runner 2049 (2017), with Deakins earning Oscar nominations for all three films. He began his collaboration with the Coen ... Another

Roger Deakins, Cinematographer: Blade Runner 2049. Despite the fact that Deakins was nominated for No Country and Jesse James in the same year (2008) he lost the Oscar to Robert Elswit’s work in There Will Be Blood. Roger Deakins, Cinematographer: Blade Runner 2049. Deakins believed that he was hired because of his ability to naturally sense how the scenes would be properly executed when the actors finished a take. [13] Deakins served as director of photography for Stephen Daldry's The Reader (2008) but left mid-production due to delays and previous commitments, and was replaced by Chris Menges.

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