First published on Thu 4 Jul 2013 11.11 EDT. The field has a clearly defined set of rules, methods, and parameters for achieving success, both professionally and artistically. And when are we gonna be able to see this little gem on the big screen? "The world is turned upside down," says one character, "and so is its pockets.". What a unique film-maker Wheatley is becoming. Wheatley's new film is grisly and visceral, an occult, monochrome-psychedelic breakdown taking place somewhere in the West Country during the civil war. The film is more interested in the simple crevices of its four main characters’ psyches, but only as they succumb to the influence of the mushrooms they eat. With A Field In England he seems to have taken a conscious step further in that direction – possibly too far. Thu 4 Jul 2013 11.11 EDT Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. (I was reminded of the non-serious warning to the faint-hearted that Gaspar Noé put into one of his films – and Noé is a big fan of torturing his audiences with stroboscopic flickering.) A Field in England du réalisateur anglais Ben Wheatley a reçu le Prix Spécial du Jury au Festival de Karlovy Vary, Et voici une nouvelle série de films à savourer dans nos pages ! A Field in England has an extremely difficult time nailing authenticity. More info →. Shearsmith's stunned face, as he looks up at a giant black planet or sun that gradually fills his field of vision, is a picture of denatured rapture, and his performance here is equal to and better than the "gothic" characters he has created on television. Ben Wheatley has made a name for himself as being more out-of-the-box than conventional directors, to which his previous films Kill List and last year’s Sightseers can attest. It is incredible just how freaky black-and-white visuals can be: a shimmering chequerboard anxiety attack. The shifts in genre are accompanied beautifully by the episodic changes in camerawork, editing, sound and music. The monochrome images, created by cinematographer Laurie Rose, naturally call to mind a similar black-and-white picture, Kevin Brownlow's Winstanley (1976). Recent work from one of the finest contemporary American movie poster designers. EXCLUSIF : Un clip du film d’ouverture de Ji.hlava, Nous avons interviewé Bernd Buder, le directeur artistique du Festival de Cottbus, sur l’édition de cette année, qui est hybride, ou plutôt "duelle". Mostly, their goals and conflicts with each other are in plain sight, rather than obscured by some psychological dramatization. In fact she is the sole writer. Please wait a few minutes and refresh this page. Screenplay highlights: (clockwise from top left) Behind the Candelabra, Philomena, A Field in England, and Enough Said. Unsurprisingly, A Field in England cannot be contained in a single genre category, confined by one aesthetic style or another, or limited by the use of a distinct narrative device or two. Hope you can make it! Its professional amateurishness and elegant mixing of aesthetic expressions create an abstract beauty for modern cinema-goers to treasure for years to come. Every screenplay begins with a story idea. Phelim O'Neill: Ben Wheatley's new film is being released in all formats – cinema, DVD, VOD, even broadcast TV – on the same day. It is the first film to be developed and financed by Film 4.0, a division of Film4 that focuses on innovative digital ways to produce, market and distribute films. A Field in England. They are captured by two men: O'Neil and Cutler. The title, A Field in England, immediately brings to mind a vivid image, and gives away a carefree attitude about which field is the one in question, and what happens on it. If you want to disable or change the age rating for your Parental Controls, please enter your current PIN below. They are captured by two men: O'Neil and Cutler. Error: Twitter did not respond. But before they start digging, they gobble up some strange-looking mushrooms and then everything goes pear-shaped. A beguiling piece with touches of mystery and farce. Best screenplay. Contacts | Logos et bannières | Change privacy settings, Mission | Structure | Partenaires | Equipe | Participe | Donations | Termes et conditions, (L'article continue plus bas - Inf. With A Field In England he seems to have taken a conscious step further in that direction – possibly too far. Though clearly set in another century, we are not informed of its 17th century setting, as this information is not altogether relevant. From the realms of contemporary social realism, crime, comedy and fear, he has moved on to lo-fi period drama, but cleverly alighted on the one period that suits his stripped-down visuals and subversive instincts perfectly. England, the 1640s Civil War. Change ), You are commenting using your Google account. A FIELD IN ENGLAND screens Thursday, February 2nd at 5:00 & 9:30. Amy Jump’s screenplay features some wonderfully rich dialogue, but the narrative is often so far bent and obscured that the audience is left more confused than enthralled. For the best experience, please enable Javascript in your browser settings. The film’s forewarning of strobing sequences should not be taken lightly, and often the film feels more like an art installation than a narrative film – more at home in the Tate Modern than on the cinema screen. Beautiful, interesting, A Field in England: the TV premiere - as it happened, A Field in England – giving away the whole plot, A Field in England: watch the trailer for the new Ben Wheatley English civil war film - video. Perhaps the film's biggest formal inspiration is its period "tableaux" sequences in which the characters will hold a mysterious group pose stock-still, as if for a painting, or to demonstrate some particular aspect or metaphorical truth of their agony and mortification. Instead, writer Larry David produces an outline himself, and the dialogue is largely improvised by the actors on set. However, when treated as an experiment thanks to its unusual style and pioneering release, it is a very British film that will be talked about for a long time yet. England, civil war. Family Guy. 2013 | 2 wins including: Special Jury Prize. Here’s a script from a show that famously doesn’t rely on scripts. A Field in England actually draws on a tradition that sees the English revolution as a period of visionary radicalism and insurrection, though this is here converted with cynicism and despair. A small group of deserters flee from a raging battle through an overgrown field. While it’s difficult to imagine the next Iron Man film having a multiplatform release any time soon, A Field In England lends itself well to this kind of release. The film was released on 5 July 2013 on multiple platforms simultaneously, including cinemas, home media and video on demand. Tabloid images of the men uniquely invoke paintings in which characters theatrically enact a period we can no longer experience or even imagine. To set a different rating or set your PIN with a different 4-digit number, turn Parental Controls back on. Rencontre avec le cinéaste belge Stephan Streker, à propos de son nouveau film, Nous avons discuté avec Alaa Karkouti, DG et co-fondateur de MAD Solutions, également co-fondateur du Centre arabe pour le cinéma, sur certains aspects du marché du cinéma arabe, Karlovy Vary International Film Festival 2013, Compétition internationale, Prix spécial du jury. Jean-Claude … Family Guy TV scripts are … Theirs is one of possibilities for personal battles, discoveries, treasures, friendship and mind-altering mushrooms. Screenwriting is a distinct art field that requires talent, practice, and training, plus an enormous level of commitment. The fast-paced, cartoonish editing of this scene naturally gives birth to the warped images of the characters as they go deeper and deeper into their nightmarish, violently psychedelic state. You have set up Parental Controls to restrict access to this content. Smiley is a great O'Neil, scary and commanding, while Shearsmith's Whitehead is hilariously submissive, for all his attempts to give himself airs as a man of learning, and to pass off his temporary association with these cowardly stragglers as a mere "alchemy of circumstance". In his research, Wheatley also learned about the use of hallucinogens during the 17th century. As we are plunged into the fake reality of this time, music remains more instrumental and sound design more realistic. But don't rule him out of having a crack at Spider-Man one day, Watch the trailer for A Field in England, the new film from Sightseers director Ben Wheatley, set during the English civil war, Available for everyone, funded by readers. Change ). The moody photography and score are an unsettlingly atmospheric combination, … incredible cinema. On the same night, Yi’nan Diao’s Berlinale winner, Ben Wheatley tournera High Rise à partir de juillet en Irlande du Nord. What ensues is a bizarre, borderline arthouse picture which explores mysticism, the occult and obscure hallucinations. Andrew Starke, Claire Jones, Ryan Pope, Richard Glover, Reece Shearsmith, Julian Barratt, Michael Smiley. Crossing a vast mushroom circle, which provides their first meal, the group quickly descend into a chaos of arguments, fighting and paranoia, and, as it becomes clear that the treasure might be something other than gold, they slowly become victim to the terrifying energies trapped inside the field.

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