And now, thanks to the Criterion Collection’s new Blu-ray release of the film, that beauty is available to one and all, at home. When the pair travel to a cottage in the Swiss Alps to prepare for Maria’s new role, the boundaries between them become increasingly murky, as the ever-sensitive Assayas examines the pressures and pleasures of the artistic life and the various roles we all assume each day. The film comes with a 5.1 DTS-HD MA surround track and for what is a âtalkyâ film it manages to do a lot with its sound design. Juliette Binoche and Kristen Stewart both come across as as exceptionally smart about their craft and how they worked together on the film. In it, Ben Stiller plays a fortysomething documentarian, both smitten with and horrified by a director in his twenties (Adam Driver). Martin Scorsese’s World Cinema Project No. The Criterion Collection have released Olivier Assayas' Clouds of Sils Maria as spine #822 in their collection, arriving in their familiar clear-case design. The rest of the film isnât as active, but there are plenty of crowded gatherings where all of the speakers work together to place the viewer in the middle of the action. The film is presented in its original aspect ratio of 2.39:1 on a dual-layer disc in 1080p/24hz high-definition. Save my name, email, and website in this browser for the next time I comment. The opening states that this is actually shorter than the original film, but this version is the only existing one today. Suddenly Maria turns on Valentine, excoriates her: is she jealous, envious, attracted? The two women arrive in Zurich and are invited by the playwright’s departing widow (Angela Winkler, sharp and memorable in her own right) to stay in their mountain home. An amorphous, soul-searching tale, filled with ethereal images of its Swiss Alps setting, Clouds of Sils Maria brilliantly dramatizes one woman’s reckoning with herself and the world. Finally, there is what remains of the original 14-minute 1924 documentary by Dr. Arnold Fanck – he who popularized the German “mountain films” of the 1920s, including The Holy Mountain (1926), which helped launch Leni Riefenstahl’s acting career – clips from which are scattered throughout Assayas’ film. What is essentially a dialogue-driven film where the two main characters argue about life and art, and the meaning of both, Clouds of Sils Maria is transformed into a sumptuous visual feast thanks to its almost unbearably stunning setting in the Swiss Alps. It adds a nice but lone scholarly slant to the release. Thereâs a lot of activity going on in this sequence, with not only Stewart trying to juggle multiple calls but the scene has the train veering down the tracks, clacking along, whizzing by exterior object, all while the cabin shifts about, jiggling objects around. Clouds of Sils Maria - a question. The movie, of course, resembles its own chosen metaphor, the slippery snake of clouds that, rather than dissipating when it meets mountain peaks, funnels its way through. Parallel Lives, interviews with Juliette Binoche and Kristen Stewart. And is Clouds of Sils Maria, with its Swiss setting and philosophical musings, European art cinema? The image looks natural and clean, moving smoothly, ultimately delivering that film-like look I like to see, but again, considering how new the film is this wasnât a big surprise. A little later and perhaps more pertinent are those great two-woman chamber dramas Persona (1966) and The Bitter Tears of Petra von Kant (1972), from Ingmar Bergman and Rainer Werner Fassbinder, in which an older woman’s fixation on a younger one leads to a kind of melting or meltdown of the self, a breach of boundaries, a terrifying overlapping of personality. Another strand of DNA common to all his work is cinema itself. I particularly enjoyed his discussion of how he views the play-within-the-movie, Maloja Snake, as a sped-up rougher version of Fassbinder’s The Bitter Tears of Petra von Kant; it’s his way of paying homage to one of his favorite filmmakers. This multilayered, immensely entertaining drama from the great contemporary French director Olivier Assayas is a singular look at the intersection of high art and popular culture. In Olivier Assayas’s 2014 film Clouds of Sils Maria, Juliette Binoche and Kristen Stewart play out a story centered on the complexities of female relationships, the making and undoing of boundaries between people, and our anxieties about the passage of time. Clouds of Sils Maria (The Criterion Collection) [Blu-ray] Juliette Binoche (Actor), Kristen Stewart (Actor), Olivier Assayas (Director) & Rated: R. Format: Blu-ray. Assayas understands how these nuances and permutations of feminine character represent moments in time, provocation or performance rather than essence. The narrative becomes even more complicated when a third woman is introduced: Jo-Ann Ellis, the hot young starlet played by Chloë Grace Moretz, who is being considered for the role of Sigrid. The veteran actor shares lessons she’s learned from working with some of the world’s greatest filmmakers. Iâm guessing IFC, possibly in hopes of capitalizing on Kristen Stewart being in the film, wanted to get the film out on video as quickly as possible and Paramount was able to do this while Criterion worked on their edition (a similar thing is happening with Richard Linklaterâs Boyhood, which as of now has received a Paramount DVD and Blu-ray release and Linklater has confirmed Criterion will release it in the future). Iâm guessing the arrangement that happened with Blue is the Warmest Color, where Criterion would release a barebones release and then a special edition later (that still hasnât materialized), didnât work out. His dramatic instinct is to then step back a little further, change focus, include other points of view, making us feel the transitory within the eternal as he broadens the claustrophobic world of the female dyad until these two majestic beings become dots on the horizon. Criterion also includes some text notes about the film, Fanck, and the âmountain filmâ genre (I guess you can call it) under the âAboutâ item in the sub menu. Kristen Stewart matches her punch for punch as her beleaguered assistant, called upon to provide support both professional and emotional for her mercurial boss. Melchior, who, they learn, killed himself, will be a hovering spirit and play a singular role in their time together there. His films may seem almost ungraspably diverse, from the kinky, jet-lag-inducing Boarding Gate (2007) and the propulsive action thriller Carlos (2010) to quieter, more intimate dramas like Summer Hours (2008), until you consider what they share.
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