Lead actress Tang Wei, widely praised for her performance, subsequently suffered a ban in the Chinese media and online discussion of the film was shut down, Oriental Daily reported. Let him know. His master gambler Ko Chun has left an indelible mark on our collective consciousness. I don’t want to play the next song for you.”. “I wanted him to be a very ordinary kid – one who’s neither bright nor clever,” the cartoonist explains. Destiny is calling Lai’s new immigrant from northern China, who forms a ‘friendship’ – with benefits – with Cheung’s Guangzhou comrade out of loneliness and a shared passion for the Mandarin pop legend Teresa Teng. a disabled man being cared for by a Filipino domestic worker. With this autobiographical debut feature – also a best picture winner at the Awards’ first edition – the New Wave helmer reinvented the 1950s sub-genre of Cantonese father-son melodrama with his neo-realist aesthetics. “More importantly, he’s one of the rare examples [among actors] – and I don’t know what happened in his childhood – in that he always seems very fragile and insecure and deprived. © 2020 Time Out Hong Kong Company Limited and affiliated companies owned by Time Out Group Plc. And everything he sees is blurred and indistinct.”. Grace Chang shines in the leading role as a sassy nightclub singer who, after taking up a dare to seduce the engaged pianist (Chang Yang), soon falls for the train wreck of a man. As an underemployed performer struggling financially to care for his ailing wife and send his two children to school, the real-life Cantonese opera star turns in a heartbreaking performance which epitomises the hardship of his generation. Hello to all the lovely people of MD! Kwok won his second of two consecutive best actor awards at the Golden Horse with this exceptional comeback effort by Tam. a sly parody – Sean Lau’s role in the final shootout is either the highpoint of loyalty or simply absurd. Unlike Days of Being Wild – or in fact, 2046, which again charts the crisscrossing relationships among an ensemble cast and neatly rounded up Wong’s unofficial 1960s trilogy – In the Mood for Love is essentially a romantic two-hander which characteristically shuns the overt emotional wrestling of its two bookending films. Centring around a Japanese photojournalist (Lam) who revisits the post-Liberation Vietnam in 1987 to document its rebirth, Hui’s film captivatingly reveals the horrors facing the people living in the port of Danang, who are sometimes sent to forced labour camps that are misguidedly labelled as ‘new economic zones’. Leung’s deadpan impersonation of 60s actor Lui Kei is now the stuff of legend. Having been nominated for eight awards in the 38th Hong Kong Film Awards and taking two wins, no doubt this is a must-watch for all. Dir King Hu (Cheng Pei-pei, Yueh Hua, Chen Hung-lieh), “Better to be an honest beggar than a devil in monk’s clothing.”. Summary . Also featuring the now-customary Wong Kar-wai spoofs. 29 23. Together with the funky soundtrack by Sam and his band, The Lotus, the movie also tapped into our collective consciousness with a range of riotous gags, from aerobics for chicken to a Sammo Hung-choreographed, Bruce Lee-inspired fight scene with flour and sausages. Small wonder this contemporary ghost story has been canonised as one of the great Chinese-language films. Drenched in sumptuous colours and a hypnotic soundtrack that swings from Nat King Cole to Latin melody, the film is ably fashioned by William Chang and unfailingly photographed by Christopher Doyle and Mark Lee Ping-bin, two of the very best cinematographers in world cinema. We count down HK cinema’s 10 most raunchy X-rated films. He won’t leave alive! Before the iconic director moved to Taiwan and shot Dragon Gate Inn (1967) and A Touch of Zen (1971) – indisputably two of the greatest martial arts films ever made – Hu refined the genre with this deliberately-paced quest for justice by Cheng’s female knight Golden Swallow and Yueh’s heroic swordsman Drunken Cat. Despite being hugely popular with local audiences, the movie was swiftly pulled from local cinemas – supposedly after pressure from Beijing. Centring around a loony ex-inspector (Lau) who can see the ‘inner demons’ of others, this weirdly fascinating detective mystery merges Wai’s supernatural drift and fatalistic worldview with To’s film noir sensibilities and clinical shifts to ultra-violence. Dir Patrick Lung Kong (Patrick Tse Yin, Sek Kin, Wong Wai), “This is not my fault. * Did you know… … Donnie Yen was once approached by director Jeff Lau – when his buddy Wong Kar-wai was still filming his own Ip Man movie – to play the master back in 1996? When the police conclude that there was no foul play at work and the insurance claim is approved, Sean decides to lead his own investigation instead. Taking respite from her chaotic life in Hong Kong, a businesswoman (Koo) returns to her ancestral home in southern China, where she’s been away for 20 years. Want to share IMDb's rating on your own site? But better dress up first.”. In theatres 14 March 2019: Walk With Me: Ryon Lee: Michelle Wai, Alex Lam, Richard Ng: In … Fong based the character of Ah Ying's drama teacher Cheung on his late friend Koh Wu (Peter Wang's performance is a creditable impersonation), who spent years trying but failing to raise money for a film in Hong Kong. A timeless work of art from a short-lived genre, this definitive huangmei diao film was a box office sensation and a cultural phenomenon across Southeast Asia (and especially in Taiwan), with Ling receiving a special award for outstanding performance at Taiwan’s Golden Horse Awards – because the judges couldn’t decide whether to name her best actor or actress! Dir Yim Ho (Josephine Koo, Siqin Gaowa, Xie Weixiong), “I never thought people our age would just die.”. A pair of bickering Cantonese gay lovers (Cheung and Leung) stranded in Argentina may be an unusual idea of cinematic poetry but Wong, who was named best director at Cannes, managed the impossible with this lyrical break-up movie. Dir Fruit Chan (Sam Lee, Wenders Li, Neiky Yim), “I’m thinking of doing something to shock the world.”. Dir Gordon Chan, Dante Lam (Anthony Wong Chau-sang, Michael Wong), “Sometimes I feel there’s a barrier between us. Guess what happened to them?”. Everyone wants a piece of our rehabilitating hero (Tse in a leather jacket), an expert safecracker who’s persistently recruited by both sides of the law after more than a decade in prison – but will his unforgiving mother and upright brother understand?

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