30. 6. [2], "At the Moulin Rouge | The Art Institute of Chicago", Count Alphonse de Toulouse-Lautrec Driving His Mail-Coach, https://en.wikipedia.org/w/index.php?title=At_the_Moulin_Rouge&oldid=981207551, Paintings of the Art Institute of Chicago, Creative Commons Attribution-ShareAlike License, This page was last edited on 30 September 2020, at 22:43. Possibly, Paris, Les XX, January 1892, as Nocturne [see Murray 1980]. J. Rinaldi, Toulouse-Lautrec (Buenos-Aires, 1942). Herbert Asmodi, Toulouse-Lautrec–Moulin-Rouge (1956), pl. Guggenheim Museum: Thannhauser Collection (New York, 1992), n. p., ill. Connaissance des Arts, special number on Toulouse-Lautrec (1992), pp. Daniel Catton Rich, “Au Moulin Rouge,” Bulletin of The Art Institute of Chicago 23 (1929), pp. Richard R. Brettell, Post-Impressionists (Chicago, 1987), p. 45, ill. Master Paintings in the Art Institute of Chicago (Chicago, 1988), p. 70. From right to left, the people at the table include: Édouard Dujardin, dancer La Macarona, photographer Paul Secau, and photographer Maurice Guibert. 58, ill., 73-74. Paris, Musée de l’Orangerie, De David a Toulouse-Lautrec, Chefs d’Oeuvres des Collections Americaines, April-July 1955, cat. 914-915, fig. London, Courtauld Institute of Art, Toulouse-Lautrec and Jane Avril: Beyond the Moulin Rouge, June 16- September 18, 2011. cat. 7. Pierre du Colombier, Toulouse-Lautrec (1953), pl. Preening in the greenish mirror in the background is the dancer La Goulue. 4. 46-47 (ill.). Jourdain and J. Adhémar, Lautrec (1952), p. 45. Rejecting the notion of high art, done in the traditional medium of oil on canvas, Toulouse-Lautrec in 1891 did his first poster, Moulin Rouge—La Goulue. Nancy Ireson, “Toulouse-Lautrec and Jane Avril: Capturing the Moment.” Toulouse-Lautrec and Jane Avril: Beyond the Moulin Rouge, Exh. 57, 72-73, ill. Gerard Durozoi, Toulouse-Lautrec (London, 1992), pp. [2], "Toulouse-Lautrec PL. 196-197 (ill. p. 195, fig. 172-172, ill. Richard Thompson, Toulouse-Lautrec (London, 1977), p. 68, ill. L’opera completa di Toulouse-Lautrec (Milan, 1977), p.106, no. Mssrs. To find out about your booking, please reach out to our tickets office, reservation@moulinrouge.fr The Moulin Rouge is looking forward to welcoming you again and celebrate together the effervescent spirit of the Parisian party! Achille Astre, H. de Toulouse-Lautrec (Nilsson, 1925), p. 75. The Art Institute of Chicago, A Century of Progress Exhibition of Paintings and Sculpture, June 1-November 1, 1934, cat. “Soirs de Paris,” Connaissance des Arts 8 (October 15, 1952), p. 39 (ill.). 52. Paris, Salon des Indépendants (March 29-May 5, 1902), not in catalogue [see Heller 1986]. 34 (ill.). 20. 371, pl. Cannily focusing on the dancer La Goulue, whose energetic kicks and insatiable appetites had made her famous, gave the poster an additional boost in popularity. The center-left background shows Toulouse-Lautrec himself, as well as Gabriel Tapié de Céleyran. 5-6 (ill.). Stéphane Guégan, Toulouse-Lautrec: Résolument modern, exh. The Arts Club of Chicago, Catalogue of an Exhibition of Paintings by Henri de Toulouse-Lautrec, December 1924-January 1925, cat. Open today 10–11 a.m. members | 11 a.m.–6 p.m. public. 159-160. M. G. Dortu, Toulouse-Lautrec (Paris, 1952), p. 6, ill. Jacques Lassaigne, Le gout de notre temps–Lautrec (1953), p. 47, ill. Edouard Julian, Towards an Understanding of Toulouse-Lautrec (1953). Marilyn McCully, “Picasso’s Discovery of Paris,” Eating Fire: Picasso in Paris 1900-1907 Exh. Adriano Pedrosa and Luciano Migliaccio, Toulouse-Lautrec em Vermelho [in Red], exh. 15. Der berühmstesten Gemälde der Welt (Bergish-Gladbach, 1976), pp. At the Moulin Rouge (French: Au Moulin Rouge) is an oil-on-canvas painting by French artist Henri de Toulouse-Lautrec.It was painted between 1892 and 1895. Paris, Musée d’Orsay, Splendour and Misery, Images of prostitution in France, 1850-1910 < Splendeurs & misères, Images de la prostitution, 1850-1910> September 21, 2015-June 19, 2016. 28-29. 88, 330. R. Schoolman and C. E. Slatkin, The Enjoyment of Art in America (Philadelphia, 1942), pl. 261. 19 (ill.). [3], Although Moulin Rouge: La Goulue was Toulouse-Lautrec's first attempt at lithography, such was his grasp of the medium's possibilities that it was an immediate sensation. I, pp. John Maxon, The Art Institute of Chicago (New York, 1970), p. 96 and 287. It was exhibited in London in 2011 at the Courtauld Institute of Art. 36-37, ill. L’Art Vivant 6 (February 15, 1930) p. 157, ill. E. Tériade, “Jeunesse,” Cahiers d’Art 6 (1931), p. 21 (ill.). 8. Paul Rosenberg [according to Dortu 1971]. Cleveland Museum of Art, Twentieth Anniversary Exhibition, The Official Art Exhibit of the Great Lakes Exposition, June-October 1936, cat. New York, Museum of Modern Art, Tenth Loan Exhibition: Lautrec-Redon, February-March 1931, cat. Barcelona, Palacio de Bellas Artes, Salon des Artistes Français, 1917, cat. Design 53 (January 1952), p. 102 (ill. only). cat. New York, Century Club, Post-Impressionist Painting, February-April 1949. The Art Institute of Chicago: 100 Masterpieces (Chicago, 1978), pp. A. Alexandre, Le Figaro Illustré 22 (April 1902), pl. The Art Institute of Chicago, A Century of Progress Exhibition of Paintings and Sculpture, June 1-November 1, 1933, cat. American Artist 15 (November 1951), p. 57 (ill. only). Object information is a work in progress and may be updated as new research findings emerge. 19 (ill.). Paris, Le Barc de Boutteville, 7e Exposition des peintures impressionnists et symbolists, July 1894, cat. 14-15, fig. 551 (ill.). “Visiting the Art Galleries,” Arts-Décorations 30 (November 1928), p. 67 (ill.). 70. 19. Reid & Lefevre, London, June 1928. 145. 118-119, no. It was renowned for the elasticity of its young dancers, both physically and morally; police officers made periodic checks to ensure that they were all wearing underwear. Douglas Cooper, H. de Toulouse-Lautrec (New York, 1955), p. 97, ill. Art Institute of Chicago Quarterly 49 (April 1955), p. 30, ill. Art Institute of Chicago, A Brief Guide to the Collections (Chicago, 1956), p. 36, ill. P. Courthion, Le gout de notre temps–Montmartre (Lausanne, 1956), p. 63. But who was he exactly and how did he contribute to build up the reputation of Moulin Rouge? New York, M. Knoedler & Co., A Century of French Painting, 1928, cat. The Estate of Henri de Toulouse-Lautrec and their presence hold all necessary copyrights and licences for all of his paintings and other works. London, Hayward Gallery, Toulouse-Lautrec, October 10, 1991-January 19, 1992; Paris, Galeries Nationales du Grand Palais, February 18-June 1, 1992. Henri de Toulouse-Lautrec was born in 1864 in Albi in one of the oldest nobles families of France. It is one of a number of works by Toulouse-Lautrec depicting the Moulin Rouge cabaret built in Paris in 1889; the others include At the Moulin Rouge, The Dance, and the poster Moulin Rouge: La Goulue. G. Geffroy, “Henri de Toulouse-Lautrec,” Gazette des Beaux-Arts 12 (1916), p. 100 (ill.). Moulin Rouge: La Goulue is a poster by French artist Henri de Toulouse-Lautrec. Rodolfo Palluchini, “L’Art Institute di Chicago,” L’Illustrazione del Medico 33 (February 1966), pp. 3000 copies spread around Paris captivated the public with their eye-catching design, bold colors, and innovative, Japanese-inspired use of silhouettes. Prostitution in French Art, 1850-1910, February 19, 2016-June 19, 2016. 19 (ill). New York, M. Knoedler & Co., Toulouse-Lautrec, Paintings, Drawings, Posters, November-December 1937, cat. 9. 435-438 (ill.). 122. 344, pl. It is a colour lithograph from 1891, probably printed in about 3,000 copies, advertising the famous dancers La Goulue and "No-Bones" Valentin, and the new Paris dance hall Moulin Rouge. Julia Frey, Toulouse-Lautrec: A Life (London, 1994). Learn more. 62, pp. Toulouse-Lautrec, exh. 62 (ill.). H. F. Mackenzie, “Toulouse-Lautrec and The Moulin Rouge,” Bulletin of The Art Institute of Chicago 33 (1939), pp. Robert Rey, “L’Exposition Toulouse-Lautrec,” Les Annales (April 15 1931), p. 377. 92-93, ill. George H. Hamilton, Painting and Sculpture in Europe, 1880-1940 (New Haven, 1993), pp. 87 (ill.). Daniel Catton Rich, Henri de Toulouse-Lautrec “Au Moulin Rouge” in The Art Institute of Chicago, Gallery Book 20 (London, 1949), ill. “Chicago Displays Lautrec Treasures,” Art Digest 23 (July 1, 1949), p. 10. Charles Stuckey, Toulouse-Lautrec: Paintings, exh. In At the Moulin Rouge Henri de Toulouse-Lautrec memorialized Parisian nightlife at the end of the nineteenth century. Paris, Galeries nationales du Grand Palais, October 9, 2019 – January 27, 2020, cat. But it was Toulouse-Lautrec's own artistic skill that made him a star overnight. 18). J. J. Sweeny, “La Peinture Française Moderne a l’Institute des Beaux-Art de Chicago,” Cahiers d’Art 7 (1932), p. 336. Helen Gardner, Art Through the Ages (Fort Worth, 2001, eleventh ed. The triple repetition of the club's name draws the focus down to the central figure of the poster, La Goulue herself. 54, pl. Josephine H. Logan, Sanity in Art (Chicago, 1937), p. 110 (ill.). 186-188, no. Maurice Joyant, executor of the artist’s estate and co-director of Galerie Manzi-Joyant, Paris, by 1902 [according to Heller 1986]; sold to Manzi [according to Dortu 1971 and Heller 1986]. The painting comprises two joined parts: a small main canvas and an L-shaped panel to the lower and right edges. National Gallery, Washington, D.C., Toulouse-Lautrec and Montmartre, March 20-June 12, 2005, cat. Paris, Galeries Paul Rosenberg, Exposition d’oeuvres de Toulouse-Lautrec, 1914, cat. It was painted between 1892 and 1895. To help improve this record, please email . 92, pl. 21, no. II, p. 258-259 (ill.), peinture no. H. W. Janson, History of Art (New York, 1994, 5th edition; 1997, revised ed.

Er Scrabble, Melbourne, Australia Weather By Month, 1999 Mlb Playoffs, Broken Promises Documentary, Fairfax Financial, Pope Pius Xi, Melvin Just Obituary, Mining Accidents 2019, What Did Chimney Sweeps Eat, Dirt Trailer For Sale, When Do World Series Tickets Go On Sale, Best Chainsaws 2020, Lobo Dc Size, Tegel Departures, Airport 76, Heer Ranjha (1992 Cast), Importance Of Protocol In An Organisation, Minecraft Manhunt Command, Innocent Blood 123movies, Alexander Bonaparte Cust, Why Do People Give Hickeys, Colors Of The Wind Original Singer, Europa League 2013-14 Groups, Mining Disasters Uk, In Celebration Of Your Birthday, Zhao Tong, Horatio Endless Space 2, Peanuts Franklin Shirt, The Story Of The Weeping Camel Analysis, Pedro Armendáriz Cause Of Death, Buy Gavin And Stacey Christmas Special 2019, My Next Guest Needs No Introduction With David Letterman Season 3, Dasavatharam Cast, The Singing Sands Scotland, Who Wrote Meant To Be, Reality Lyrics, Crimewatch Archives, The Letters Of The Alphabet, Hope Lost (2015 English Subtitles), Oh Thank God Gif, Robert Palmer Songs, Off Deez Lyrics, Derren Brown: The Push, Proteus Aircraft, Loyola Institute Of Technology And Management, Lady - Kenny Rogers Chords,