John William Waterhouse (1849-1917), affectionately known as Nino in his younger days, was born in Rome on the 6th of April, 1849. As his career developed and built momentum, he was able to use stunning professional models in his work, and this would help to continue his progress and popularity.

Waterhouse and his parents eventually moved back to England some time in the late 1850's. His early works were based on classical themes, primarily in the spirit of Alma-Tadema and Frederic Leighton. He soon began exhibiting at their annual summer exhibitions, focusing on the creation of large canvas works depicting scenes from the daily life and mythology of ancient Greece. Many of his paintings are based on authors such as Homer, Ovid,[1] Shakespeare, Tennyson, or Keats. He re-used his favourites, just as Mucha had with Sarah Bernhardt and John Everett Millais with Elizabeth Siddal. Later he would specialise in oils, with occasional watercolours. This British artist would draw on family and friends to pose for him, some going on to achieve their own notoriety in film and theatre. He continued producing works of the mythological and literary themes throughout the 1890s and 1900s, exhibiting regularly at the Royal Academy, where he had been honoured as an associate member in 1885 and then a full Royal Academician in 1895. In 1895 Waterhouse was elected to the status of full Academician. Naomi Blumberg was Assistant Editor, Arts and Culture for Encyclopaedia Britannica. In 1854, the Waterhouses returned to England and moved to a newly built house in South Kensington, London, which was near to the newly-founded Victoria and Albert Museum. Updates? [2] The exact date of his birth is unknown, though he was baptised on 6 April, and the later scholar of Waterhouse's work, Peter Trippi, believed that he was born between 1 and 23 January. This extensive website details all of Waterhouse's most famous paintingsand drawingsas well as providing a detailed biography, covering his life and career. Shop for john william waterhouse art prints from our community of independent artists and iconic brands.

[3] His early life in Italy has been cited as one of the reasons many of his later paintings were set in ancient Rome or based upon scenes taken from Roman mythology. Instead, Pre-Raphaelite artists took inspiration from Early Renaissance painting and Romantic painters, championing artistic individuality and individual methods of depiction. His works in the 1880s include ‘Diogenes’ in 1882, ‘Consulting the Oracle’ in 1884, ‘The Magic Circle’ in 1886, and ‘Cleopatra’ in 1888. Waterhouse was perhaps an example of a successful fusion between North and South European art influences. These early works were exhibited at the Dudley Gallery, and the Society of British Artists, and in 1874 his painting Sleep and his Half-brother Death was exhibited at the Royal Academy summer exhibition. Shop Art.com for the best selection of John William Waterhouse wall art online! Waterhouse followed the same path beaten by many of the Pre-Raphaelites by studying at the Royal Academy but in joining in 1870 he was around a generation later than those that formed that art movement.

Indeed, some have actually termed him as the 'modern Pre-Raphaelite', taking that art movement and also appending ideas of the time from French art too. Waterhouse, or 'Nino' as he was nicknamed, coming from an artistic family, was encouraged to become involved in drawing, and often sketched artworks that he found in the British Museum and the National Gallery. Whereas other artists of Waterhouse’s age painted Sirens… John William Waterhouse RA (6 April 1849 – 10 February 1917) was an English painter known for working first in the Academic style and for then embracing the Pre-Raphaelite Brotherhood's style and subject matter. Like the Pre-Raphaelites, he depicted many dramatic, beautiful women—damsels in distress, enchantresses, or femmes fatales. Having earlier set about a classical style broadly along the same lines as Sir Lawrence Alma-Tadema and Frederic Leighton, Waterhouse would later drift towards a style more similar to the Pre-Raphaelites. John William Waterhouse was a British painter and that embraced the legacy of the Pre-Raphaelites John Everett Millais and Dante Gabriel Rossetti.Like those artists, Waterhouse painted beautiful women in settings derived from literature and mythology, as seen in his The Lady of Shalott (1888) and A Mermaid (1900). Whilst regarded by most as a Pre-Raphaelite artist, this movement was more of just an influence on him as his career peaked many years after the Pre-Raphaelites had come and gone. Whilst arriving too late to be considered a true member of the Pre-Raphaelite Brotherhood, his style was very much in line with their style and inspirations. John William was always destined to become an artist. It also means that his paintings are bought in all of these different art forms, depending on the buyer's needs. A key reason for this was the increased popularity of his work over recents decades. 1916. His painting ‘Sleep and his Half-brother Death’, which was exhibited at the Royal Academy summer exhibition in 1874, earned him success and popularity. In 1883 he married Esther Kenworthy, the daughter of an art schoolmaster from Ealing who had exhibited her own flower-paintings at the Royal Academy and elsewhere. Born in Rome to English parents who were both painters, Waterhouse later moved to London, where he enrolled in the Royal Academy of Art. The print features great detail and a charming atmosphere which attracts many to this print, which you can buy from the links below. https://www.thefamouspeople.com/profiles/john-william-waterhouse-38709.php, Top NBA Players With No Championship Rings, Celebrities Who Look Beautiful Even Without Makeup, The Hottest Male Celebrities With The Best Abs, The Top 25 Wrestling Announcers Of All Time. His virtually unchanging style and subject matter went out of vogue with the Modern trends of the turn of the 20th century, but a revived interest in his work came about in the late 20th century. He was born in Rome to English parents, both of whom were painters. He taught at the St. John's Wood Art School, joined the St John's Wood Arts Club, and served on the Royal Academy Council. His submission was highly regarded and from that point onwards he would continue to exhibit here on a near annual basis. By 1874, however, he had switched to painting, as evident by the painted work (Sleep and His Half-Brother Death, 1874) that he exhibited at the Royal Academy that summer. It is highlights such as The Lady of Shalott, Hylas and the Nymphs and Echo and Narcissus which have helped to draw attention back to the British Victorian artists of the 19th century, as well as specifically his own career. He is known to have created more than 200 paintings in his lifetime. This painting, by the British artist John William Waterhouse (c. 1849–1917), depicts one of the famous obstacles faced by Odysseus (a name Latinized to Ulysses) during his famous journey home after the Trojan War. The subject appealed to Waterhouse who created an additional two paintings based on different verses from Tennyson’s poem, The Lady of Shalott Looking at Lancelot (1894) and I am Half-Sick of Shadows, said the Lady of Shalott (1915).In the second half of the 1880s, the artist began experimenting with en plein air painting (a French term for painting outdoors). He was inspired by two major artists of his time: Sir Frederic Lord Leighton and Sir Lawrence Alma-Tadema. Waterhouse would initially practice his drawing skills by sketching various items found in the V&A Museum, British Museum and the National Gallery. In total he produced 118 paintings. John William Waterhouse got married to Esther Kenworthy in 1883. He submitted his 1888 Ophelia painting in order to receive his diploma from the Royal Academy. During the expeditions to Italy and the English countryside, he created a series of sketches and oil studies. As he matured artistically, Waterhouse became closely associated with Pre-Raphaelite artists and adopted their style and choice of the subject matter. His work can be currently found at several major British art galleries as well as the Royal Academy of Art, which had organized a major retrospective of his work in 2009, many years after his death.
Waterhouse, or 'Nino' as he was nicknamed, coming from an artistic family, was encouraged to become involved in drawing, and often sketched artworks that he found in the British Museum and the National Gallery. Image via Wikimedia Commons. John William Waterhouse was one of many successful British artists from this art movement which is well known for depicting well known characters into their paintings. Having arrived after the peak of the Pre-Raphaelite movement, Waterhouse's career would not reach quite the heights of the likes of Dante Gabriel Rossetti, John Everett Millais and William Holman Hunt. Inspired by strong and stunning female figures, his artwork mostly consists of depictions of women from both ancient Greek mythology and Arthurian legend. By this point he was prominent enough to make use of larger galleries to display these ever-increasing artworks. His artworks were known for their depictions of women from both ancient Greek mythology and Arthurian legend. Artworks such as Lady of Shalott have established themselves at the pinnacle of British art of the 19th century. Waterhouse would use professional models for much of his portraiture work, particularly later on as his career had built momentum. Perhaps due to his success, his paintings typically became larger and larger in size.[5].

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