37,453, © 2020 NYP Holdings, Inc. All Rights Reserved If you're interested in contributing to Notebook, please send us a sample of your work. Rebuffed by the PCA and Universal, Gyssling tried to bully all 60 actors who were cast in “The Road Back.’’ He sent them each letters threatening that none of their films would ever be shown in Germany if they appeared in a movie deemed “detrimental to German prestige.’’, ‘This isn’t a Nazi country, and there’s no reason to adopt Nazi standards.’. (New York University, as sole heir to his widow, actress Paulette Goddard, now holds all his literary rights.). “He said, ‘My God, we have to do something about this right away!’ ”, Given the acclaim for “All Quiet,’’ Universal Pictures was interested in filming Remarque’s less popular follow-up novel as early as 1931, says film historian Thomas Doherty of Brandeis University, the author of “Hollywood and Hitler, 1933-1939.’’. Blood will tell. Please. USA. The Road Back ... 1937 World premiere of the restored version in 35mm . Georg Gyssling, the Nazi counsel in Hollywood, who at one time had wielded influence with the PCA, tried hard to derail “The Road Back,’’ which powerfully depicts the demoralization and civil unrest that remobilized soldiers faced in the Fatherland after the end of World War I. “It’s the Holy Grail if you’re an admirer of director James Whale,’’ says film historian and film preservationist David Stenn, who discovered a 35mm print of the uncut version at the UCLA Film and Television Archives and brought it to Scorsese’s attention. If you would like to reproduce text from a MoMA publication or moma.org, please email [email protected]. All right, so George Orwell argued persuasively that Wodehouse was in no sense subversive: the central joke about Jeeves & Wooster, that the manservant is the intellectual superior of the man, depends on us recognizing this situation as absurd. Saturday Feb. 13, 2016, CinemaxX 8. And we salute this triumph of enthusiasm over plotting. Overview of The Road Back, 1937, directed by James Whale, with John King, Richard Cromwell, Slim Summerville, at Turner Classic Movies World premiere of the digitally restored version in 4K DCP. For comparison’s sake, the Library of Congress also restored this shorter version of “The Road Back,’’ which will be shown at MoMA on Saturday at 4 p.m. Stenn says that author Remarque was apparently so displeased with the adaptation that he declined to renew Universal’s contract for the screen rights when they expired in 1942. Sitemap Lewis Milestone’s “All Quiet on the Western Front’’ (1930) is one of the most beloved films of the early talkie period, a much-revived anti-war classic that won the third Oscar for Best Picture. 70 min. But in this movie, when a butler impersonates his master in order to seduce a wealthy lady who turns out to be a maid impersonating her mistress, all the irony of Wodehouse's inversion of traditional ideas about class has gone. The target of an extraordinary suppression campaign by Adolf Hitler’s representative in Hollywood, it was rarely seen after 1942 in the United States, and then only in a severely edited 1939 reissue version. Berlinale - Berlin International Film Festival added 4 new photos to the album: Berlinale 2016 | Berlinale Classics — at Berlinale - Berlin International Film Festival . 70 min. For all other inquiries, contact the editorial team. The Forgotten: James Whale's "By Candlelight" (1933) and "The Road Back" (1937) ... the sparking "By Candlelight" and the epic "The Road Back". And when you have a nasty prosecutor played by Lionel Atwill... you really don't need to give him a monocle, James. Stenn, who attended the world premiere of the restoration earlier this year at the Berlin Film Festival — the first time the film was ever shown in Germany — says he hopes the film will become widely available thanks to the restoration. “The Road Back,’’ which originally ran 100 minutes, was greeted with respectful reviews that compared it unfavorably with “All Quiet’’ when it arrived in theaters at the end of 1937. But hardly anyone has heard of James Whale’s “The Road Back’’ (1937), its star-crossed sequel that was also based on a novel by Erich Maria Remarque. “The futility of war was a very important theme to Whale,’’ Stenn said of the disillusioned director, who retired in 1942, died in 1957, and was played by Ian McKellen in “Gods and Monsters’’ (1998). Though some scholars have believed for decades that Universal made the cuts, Mike Mashon (of the Library of Congress), Doherty and Stenn say there’s no hard evidence the film was actually censored at Gyssling’s demand. A seized chance: all these WWI movies feature spectral superimposed images of fallen warriors, a motif popular even before, The Forgotten is a fortnightly column by David Cairns, author of. We've received your submission. Our site uses technology that is not supported by your browser, so it may not work correctly. By visiting our website or transacting with us, you agree to this. Do Not Sell My Personal Information. We use cookies to ensure that we give you the best experience on our website. This new restoration returns the film to the form of its original release: in 1939, a bowdlerized cut, caricaturing German militarism and excising the film's overt pacifist message, was released, and became the only version that could be seen (and even it was pretty hard to find). Directed by James Whale. Restoration funding provided by The Film Foundation and the Library of Congress. 1937. More information is also available about the film collection and the Circulating Film and Video Library. Privacy Notice World premiere of the restored version in 35mm Die Russen kommen (The Russians are Coming) By Heiner Carow, East Germany, 1968/1987. By James Whale, USA, 1937. If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), please contact Art Resource (publication in North America) or Scala Archives (publication in all other geographic locations). The Museum of Modern Art will present the US debut of a sparkling new Library of Congress restoration of the original release version of this fascinating film — funded by Martin Scorsese’s Film Foundation — at 7 p.m. on Friday and Saturday. But in Whale's film, while the servants are able to fool one another simply by putting on different clothes, the superior class instantly see through these impostures. Your Ad Choices The music is a fascinating mess: in this year of, The film is very elegant and sumptuous, photographed by John J. Mescall who also lit. By visiting our website or transacting with us, you agree to this. In the handling of the actors, Whale, surprisingly, proves less skilled, hampered by John 'Dusty' King as a handsome but stilted lead. For access to motion picture film stills please contact the Film Study Center. It did strong enough business that it was reissued two years later in a drastically cut 70-minute version that added several anti-Nazi scenes, including one with an actor playing Hitler making a speech in a beer hall. But even before Hitler’s rise to power, there were warnings from industry censors about potential problems in Germany, where Hitler’s brown-shirted thugs had fomented riots that forced the removal of “All Quiet’’ — which depicted disillusioned German troops during the final days of World War I — from the country’s screens. What began as a sequel to Universal’s antiwar All Quiet on the Western Front, under the direction of James Whale, was finally released as what has been described as “a Slim Summerville comedy” after the Laemmles were deposed and Nazi diplomat Georg Gyssling threatened a boycott unless “anti-German” scenes were removed. Do Not Sell My Personal Information, Your California Privacy Rights The shorter version of “The Road Back’’ has been shown sporadically, and the film has never been shown on US television or had a legal video release. “This isn’t a Nazi country, and there’s no reason to adopt Nazi standards,’’ the New York World-Telegram wrote in one of many angry editorials, and the US State Department fired off a stern protest to Berlin over Gyssling’s strongarm tactics. The industry censors at the PCA, which had urged the studios to avoid endangering the Germany market by calling out Hitler, were beginning to rethink that stance. Whale’s original cut has now been restored by The Library of Congress and is presented here in its U.S. premiere. All requests to license audio or video footage produced by MoMA should be addressed to Scala Archives at [email protected]. For the sake of comparison we will also be screening the cut version. Directed by James Whale. USA. Universal’s founder, the German-born, vehemently anti-Nazi Carl Laemmle, lost control of the studio in 1936, and the studio’s new owners were concerned about their $1 million investment in the lavishly produced anti-war movie — shot on many of the same outdoor sets familiar from the studio’s horror classics — which seemed increasingly out-of-step with American political sentiments.

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