But there is an extraordinary island where children don’t grow up, and it’s inhabited by a miserable old Captain Hook. TWITTER Sundance 2020 Wendy review – Peter Pan fantasy that never grows up into an interesting film 2 / 5 stars 2 out of 5 stars. Music: Dan Romer, Benh Zeitlin The cinematography, by the Norwegian Sturla Brandth Grovlen (Rams), is prone to getting in tight with the actors, meeting them at eye level and complementing their hyperactivity with keenly energetic moves of its own, which frequently serves to viscerally compound the effect of the often unpredictable action of the kids onscreen. whimsical spirit because the movie works better as an experience than as a narrative-driven film. Raised amongst dinner plates and diner patrons, the children have an itch for the adventurous and slightly mischievous. A boy named Peter (a mischievous Yashua Mack) whisks Wendy (Devin France) and her two brothers away to a magical island. At the same time, it’s a bit rough and short on conventional satisfactions, indicating that kids in single digits accustomed to preprogrammed Disneyfied diversions might have some issues. Instead, he wants to make you feel something profound. It was even shot on 16mm. Director of photography: Sturla Brandth Grovlen Two of the favored films from the 2019 festival — “The Farewell” and “The Report” — were left out of the 2020 nominations by the academy, which has caused some lingering doubts. It slows down only to lock onto the kids’ ecstatic faces. | Cookie Settings. There’s a whole community of oldsters there, all forlorn and feeling useless, who serve as a vivid warning of what lies ahead unless you dedicate yourself to staying young.
Any items in your cart will be returned. A boy named Peter (a mischievous Yashua Mack) whisks Wendy (Devin France) and her two brothers away to a magical island. In all events, screenwriters Benh and Eliza Zeitlin have figured out ways to use the general schemes and themes of J.M. WEBSITE http://www.foxsearchlight.com/. Executive producers: Michael Gottwald, Nathan Harrison Screenwriters: Benh Zeitlin, Eliza Zeitlin We also get your email address to automatically create an account for you in our website. "$" + item.price : '' ]]. Terms, Conditions, & Privacy Policy • The Phenomenon Review: Is it Time to Believe? This adaptation of J. M. Barrie’s Peter Pan is a reimagining of the classic tale in a scrappy, breathtaking new setting.

The film stars Devin France, Yashua Mack, Gage Naquin, Gavin Naquin, Ahmad Cage, Krzysztof Meyn, and Romyri Ross. Sitemap | Distinctly un-Disneyish is the exceptional score by Dan Romer and Zeitlin, which imparts enormous local flavor and, upon a first listen, would seem to deserve special attention on its own. Cast: Devin France, Yashua Mack, Gage Naquin, Gavin Naquin, Ahmad Cage, Krzysztof Meyn, Romyri Ross Sundance Film Festival: Zeitlin populates the movie with a wonderful cast of first-time child actors who light up the screen with their ebullient energy. All rights reserved. [[ (item.title || item.description) | stripTags ]], [[ item.price != 0 ? Raised amongst dinner plates and diner patrons, the children have an itch for the adventurous and slightly mischievous. It’s easy for me to talk about a rom-com, a gangster flick or a Marvel movie because most of us have a strong sense of what those genres are all about. Period. The alluringly elusive Peter Pan has a knack for attracting gifted filmmakers and then biting them on the keister — Steven Spielberg's Hook and Joe Wright’s aptly named Pan were both overproduced and under-imagined embarrassments. But there is an extraordinary island where children don’t grow up, and it’s inhabited by a miserable old Captain Hook. The International Narrative Short Films section has gained a significant marking from The Europeans.

There are no fairies, no mermaids, and definitely no flying. Wendy and her brothers come from a warm working family.

The Hollywood Reporter, LLC is a subsidiary of Prometheus Global Media, LLC. London. Immediately discernible curiosity and openness were paramount prerequisites for casting the title character, and they are traits little  France has in spades; she’s mischievous and rambunctious, but more important, her eyes possess a hungry searching quality that defines what Wendy is all about. It’s easy for me to talk about a rom-com, a gangster flick or a Marvel movie because most of us have a strong sense of what those genres are all about. To elaborate 9 out 19 titles are selected for the above category while […] Depending on what you expect from a film. Wendy and her brothers come from a warm working family. Period. Sundance Institute, All Right Reserved. The problem isn’t only that we lose our innocence with age, the film tells us. If Zeitlin’s visual style is all about youthful energy expended in the cause of capturing the essence of the unfettered life, the moment-to-moment action is at times less focused and more chaotic, as is often the case where pubescent-adjacent energies are involved. Life centers on the charming old diner run by her mom and patronized by regulars (even if it does look like the kind of place that would be jammed with young foodies if they ever discovered it); nothing’s changed around here in decades, and Wendy is not alone in realizing that nothing’s going to in the future either. TIFF 2020: A Playlist of Memorable Soundtrack Moments, From Right to Left: Ranking the Politics of Superheroes, All About Who You Know Review: A Genre-Subverting Rom-Com, Ma Rainey’s Black Bottom Trailer: Chadwick Boseman’s Final Role, The Trial of the Chicago 7 Review: Aaron Sorkin Back In His Element, The Empty Man Trailer Delivers Your Spooky Season Fix, The Wolf of Snow Hollow Review: A Unique Breed of Horror and Comedy, The Mandalorian: Disney+ Debuts All-New Season 2 Character Art, The Last of Us Part II Review: Game of the Generation. Your session is going to expire. About Our Ads This is also the part of the film that will win you over or turn you off.
Aside from that, Zeitlin cranked out an unusual movie. This is a girl who, while hardly oblivious to what’s expected from her at home, cannot ignore the call of the wild to discover what the unknown holds.

Spectacularly verdant, the tropical island domain is dominated by a volcanic mountain (an active one on the Caribbean island of Montserrat). Benh Zeitlin returns to directing for the first time since Beasts of the Southern Wild, which won the U.S. Editors: Alfonso Goncalves, Scott Cummings After long nights watching trains rattle by their bedroom window, the kids are whisked away by a mysterious boy named Peter. Zeitlin is concerned with exploring what it is that makes us grow up. Empowering filmmakers navigating the changing business of independent film.

The newcomers can immediately tell they’re not in Louisiana anymore. This is a movie that never lets the audience forget they’re watching something beautiful and fleeting.

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