Naively ignorant of its function, he takes it home and is followed by Lou Raby (Bert Convy), an undercover cop, who attempts to take him into custody for narcotics possession. Alta Vista Productions Starring: Dick Miller, Barboura Morris, Antony Carbone Directed by: Roger Corman. "[12], Griffith says he talked Corman around by pointing out that since the film was made for such a little amount of money over such a short schedule, he could not fail to make money. They’re corpses covered in plaster. http:\/\/www.worldcat.org\/oclc\/1043671148> ; http:\/\/purl.oclc.org\/dataset\/WorldCat> ; Copyright © 2001-2020 OCLC. [21], From a contemporary review, the Monthly Film Bulletin stated that although "the horror ultimately becomes rather too explicit, this macabre satire on beatniks and teenage horror films has some particularly adroit dialogue and tragi-comic situations. After the party, Walter later stumbles towards his apartment. Meanwhile, Walter's boss discovers the secret behind Walter's "Dead Cat" piece when he sees fur sticking out of it. 0 with reviews - Be the first. When Corman found that the film "worked well", he continued to direct two more comedic films scripted by Griffith:[3] The Little Shop of Horrors, a farce with a similar plot to Bucket of Blood and using the same sets;[6][8] and Creature from the Haunted Sea, a parody of the monster movie genre. A dim-witted busboy finds acclaim as an artist for a plaster-covered dead cat that is mistaken as a skillful statuette. Synopsis: Walter Paisley (Dick Miller) is a meek nobody who works as a busboy in a beatnik club and aspires to be an artist, except he has no talent. Written by STARRING. Carla critiques it as "hideous and eloquent" and deserving of a public exhibition. Miller is quoted by Beverly Gray as stating that, If they'd had more money to put into the production so we didn't have to use mannequins for the statues; if we didn't have to shoot the last scene with me hanging with just some gray make-up on because they didn't have time to put the plaster on me, this could have been a very classic little film. While our spaces remain closed due to Covid-19, the spirit of BAM is very much alive. Walter Paisley, nerdy busboy at a Bohemian café, is jealous of the talent (and popularity) of its various artistic regulars. Final Mewsings: Apparently rigor mortis sets in immediately in cats. Cat Out of the Bag Alert! WorldCat is the world's largest library catalog, helping you find library materials online. But after accidentally killing his landlady's cat and covering the body in plaster to hide the evidence, he is acclaimed as a brilliant sculptor - but his new-found friends want to see more of his work. Directed by: Roger Corman. Dick Miller, Barboura Morris, Antony Carbone, Julian Burton, Ed Nelson. Both Leonard and Carla come with Walter as he unveils his latest work and are simultaneously amazed and appalled. Looking askance at the hanging, clay-daubed corpse, Maxwell proclaims, "I suppose he would have called it "Hanging Man" ... his greatest work. Walter attempts to get Frankie out using a knife, but accidentally kills the cat when he sticks the knife into his wall. Corman had made no previous attempt at the genre, although past and future Corman productions in other genres incorporated comedic elements. Unknown MGM released A Bucket of Blood on VHS and DVD in 2000. Go to the movies just once a month and a BAM membership pays for itself. The art world is filled with weirdo's, and because of that, this sculpture becomes an instant hit and Walter is now very much 'in'. Use the HTML below. You may have already requested this item. [12], The film was shot under the title The Living Dead,[14] and filming started 11 May 1959. ",[17] a reference to cartoonist Jules Feiffer's popular Village Voice comic strip and his 1958 book with the same title. The next night, Walter is treated like a king by almost everyone, except for a blonde model named Alice (Judy Bamber), who is widely disliked by her peers. [19][20] MGM re-released the film as part of a box set with seven other Corman productions in 2007. (as Bruno Ve Soto). [12], Corman says that the genesis of the film was an evening he and Griffith "spent drifting around the beatnik coffeehouses, observing the scene and tossing ideas and reactions back and forth until we had the basic story. It starred Dick Miller and was set in beatnik culture. now playing Bucket Of Blood, A (1959) (Movie Clip) Have You Seen My Cat? Cat Out of the Bag Alert! Recommended viewing. Shot in five days for a song, Roger Corman’s drive-in classic is a model of B movie resourcefulness. A bucket of blood. [5] Written by Charles B. Griffith, the film is a dark comic satire[3][6] about a dimwitted, impressionable young busboy at a Bohemian café who is acclaimed as a brilliant sculptor when he accidentally kills his landlady's cat and covers its body in clay to hide the evidence. 1 videodisc (66 min.) “The counterculture wit and wisdom of writer Charles B. Griffith, Roger Corman’s hipper-than-thou alter-ego, is in even fuller flower here than in his classic follow-up, Little Shop of Horrors, aided immeasurably by Dick Miller’s indelible performance as psychotic busboy Walter Paisley. This film is a damn good time and it's a shame that it hasn't gained itself a more established following the forty-five years since it's release. Learn more ››. Back at the exhibit, however, she finds part of the clay on one figure has worn away, revealing Alice's finger. Cat Corpse (with obvious Kitty Carnage Warning! http:\/\/id.loc.gov\/vocabulary\/countries\/ilu> ; http:\/\/experiment.worldcat.org\/entity\/work\/data\/477119827#Topic\/sculptors_corrupt_practices> ; http:\/\/dewey.info\/class\/791.4372\/e23\/> ; http:\/\/experiment.worldcat.org\/entity\/work\/data\/477119827#Topic\/serial_murderers> ; http:\/\/experiment.worldcat.org\/entity\/work\/data\/477119827#Person\/carbone_anthony_1927> ; http:\/\/experiment.worldcat.org\/entity\/work\/data\/477119827#Person\/miller_dick_1928_2019> ; http:\/\/experiment.worldcat.org\/entity\/work\/data\/477119827#Person\/morris_barboura_1932_1975> ; http:\/\/experiment.worldcat.org\/entity\/work\/data\/477119827#Person\/nelson_ed_1928_2014> ; http:\/\/experiment.worldcat.org\/entity\/work\/data\/477119827#Person\/burton_julian> ; http:\/\/experiment.worldcat.org\/entity\/work\/data\/477119827#Person\/griffith_charles_b> ; http:\/\/experiment.worldcat.org\/entity\/work\/data\/477119827#Person\/corman_roger_1926> ; http:\/\/experiment.worldcat.org\/entity\/work\/data\/477119827#Person\/arkoff_samuel_z_1918_2001> ; http:\/\/experiment.worldcat.org\/entity\/work\/data\/477119827#Person\/nicholson_james_h_1916_1972> ; http:\/\/experiment.worldcat.org\/entity\/work\/data\/477119827#Organization\/american_international_pictures_firm> ; http:\/\/worldcat.org\/entity\/work\/id\/477119827> ; http:\/\/experiment.worldcat.org\/entity\/work\/data\/477119827#Organization\/olive_films> ; http:\/\/www.worldcat.org\/title\/-\/oclc\/1043671148> ; http:\/\/dewey.info\/class\/791.4372\/e23\/>, http:\/\/experiment.worldcat.org\/entity\/work\/data\/477119827#Organization\/american_international_pictures_firm>, http:\/\/experiment.worldcat.org\/entity\/work\/data\/477119827#Organization\/olive_films>, http:\/\/experiment.worldcat.org\/entity\/work\/data\/477119827#Person\/arkoff_samuel_z_1918_2001>, http:\/\/experiment.worldcat.org\/entity\/work\/data\/477119827#Person\/burton_julian>, http:\/\/experiment.worldcat.org\/entity\/work\/data\/477119827#Person\/carbone_anthony_1927>, http:\/\/experiment.worldcat.org\/entity\/work\/data\/477119827#Person\/corman_roger_1926>, http:\/\/experiment.worldcat.org\/entity\/work\/data\/477119827#Person\/griffith_charles_b>, http:\/\/experiment.worldcat.org\/entity\/work\/data\/477119827#Person\/miller_dick_1928_2019>, http:\/\/experiment.worldcat.org\/entity\/work\/data\/477119827#Person\/morris_barboura_1932_1975>, http:\/\/experiment.worldcat.org\/entity\/work\/data\/477119827#Person\/nelson_ed_1928_2014>, http:\/\/experiment.worldcat.org\/entity\/work\/data\/477119827#Person\/nicholson_james_h_1916_1972>, http:\/\/experiment.worldcat.org\/entity\/work\/data\/477119827#Topic\/sculptors_corrupt_practices>, http:\/\/experiment.worldcat.org\/entity\/work\/data\/477119827#Topic\/serial_murderers>, http:\/\/id.loc.gov\/vocabulary\/countries\/ilu>, http:\/\/worldcat.org\/entity\/work\/id\/477119827>, http:\/\/www.worldcat.org\/title\/-\/oclc\/1043671148>.

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