This phenomenon is known as "tyrannical prehension.". In it he reflects on literature and the unique demand it makes upon our attention. In the solitude of the work — the work of art, the literary work — we discover a more essential solitude. tags: being, blanchot, death, heidegger, mortality, possibility, time. The solitude which the work visits on the writer reveals itself in this: that writing is now the interminable, the incessant. Click or Press Enter to view the items in your shopping bag or Press Tab to interact with the Shopping bag tooltip. He sometimes has such a presentiment himself: an impression of being ever so strangely out of work. Uh-oh, it looks like your Internet Explorer is out of date. Go to Table We haven't found any reviews in the usual places. marketplace of nineteenth-century France and how literature itself reveals the broader social and material conditions in which it is produced. JSTOR is part of ITHAKA, a not-for-profit organization helping the academic community use digital technologies to preserve the scholarly record and to advance research and teaching in sustainable ways. He becomes the inert idler upon whom art does not depend. What he is to write delivers the one who has to write to an affirmation over which he has no authority, which is itself without substance, which affirms nothing, and yet is not repose, not the dignity of silence, for it is what still speaks when everything has been said. The writer never knows whether the work is done. When we admire the tone of a work, when we respond to its tone as to its most authentic aspect, what are we referring to? Ann Smock's fluent translation retains the tone and sense of the French; her introduction situates Blanchot in the French and American cultural spectrum and outlines the history of his critical concerns. The Space of Literature, first published in France in 1955, is central to the development of Blanchot's thought. 1982) Maurice Blanchot gives what is surely the fullest, least idealizing and most detailed theory of literary inspiration to be found in Western literature, vindicating the fruit-fulness of this ancient concept. Login via your MUSE delivers outstanding results to the scholarly community by maximizing revenues for publishers, providing value to libraries, and enabling access for scholars worldwide. Available on Compatible NOOK Devices and the free NOOK Apps. It is a secret because he is separated from it. This item is part of JSTOR collection From the 1930s through the present day, his writings have been shaping the international literary consciousness. ― Maurice Blanchot, The Space of Literature. It is an international nexus for discourses converging upon literature from a variety of fields, including philosophy, the social science, science, and the arts. All Rights Reserved. Sometimes, when a man is holding a pencil, his hand won't release it no matter how badly he wants to let it go. But what has no present will not accept the present of a memory either. But his mastery only succeeds in putting him, keeping him in contact with the fundamental passivity where the word, no longer anything but its appearance — the shadow of a word — never can be mastered or even grasped. Readers have come to expect the unexpected from SubStance, and to experience a sense of participating in the formulation of emerging theories. Asking this question should not simply lead us into melancholy reflections. This affirmation doesn't precede speech, because it prevents speech from beginning, just as it takes away from language the right and the power to interrupt itself. Current price is $19.99, Original price is $26. When Rilke writes to the countess of Solms-Laubach (August 3, 1907), "For weeks, except for two short interruptions, I haven't pronounced a single word; my solitude has finally encircled me and I am inside my efforts just as the core is in the fruit," the solitude of which he speaks is not the essential solitude. The writer, it is said, gives up saying "I." institution. For terms and use, please refer to our Terms and Conditions But ValÃ(c)ry was by no means a hero. For he maintains the authoritative though silent affirmation of the effaced "I." When is one alone? Instead, the hand tightens rather than open. The division also manages membership services for more than 50 scholarly and professional associations and societies. To write is to make oneself the echo of what cannot cease speaking — and since it cannot, in order to become its echo I have, in a way, to silence it. The hand moves in a tempo which is scarcely human: not that of viable action, not that of hope either, but rather the shadow of time, the hand being itself the shadow of a hand slipping ghostlike toward an object that has become its own shadow. The infinite nature of the work, seen thus, is just the mind's infiniteness. He can only write it; he can, once it is written, only discern its approach in the abrupt Noli me legere which moves him away, which sets him apart or which obliges him to go back to that "separation" which he first entered in order to become attuned to what he had to write. The abrupt Noli me legere brings forth, where there is still only a book, the horizon of a different strength. The strange thing is the slowness of this movement. From the 1930s through the present day, his writings have been shaping the international literary consciousness. That the work is infinite means, for him, that the artist, though unable to finish it, can nevertheless make it the delimited site of an endless task whose incompleteness develops the mastery of the mind, expresses this mastery, expresses it by developing it in the form of power. But what he wants to finish by himself remains interminable; it involves him in an illusory task. This silence has its source in the effacement toward which the writer is drawn. The writer goes back to work. You Save 23%. Does he just desire a perfect product, and if he does not cease to work at it, is it simply because perfection is never perfect enough? Not to style, or to the interest and virtues of the language, but to this silence precisely, this vigorous force by which the writer, having been deprived of himself, having renounced himself, has in this effacement nevertheless maintained the authority of a certain power: the power decisively to be still, so that in this silence what speaks without beginning or end might take on form, coherence, and sense. It is not altogether its own interior. This demonstrability renders it neither certain nor real — does not make it manifest. It seems that we learn something about art when we experience what the word solitude is meant to designate. And so he loses the power to make others say "I." The tone makes great writers, but perhaps the work is indifferent to what makes them great. Maurice Blanchot and the Literature of Transgression In this book, the first in English devoted exclusively to Maurice Blanchot, John Gregg examines the problematic interaction between the two forms of discourse, critical and fictional, that comprise this writer's hybrid oeuvre. This implies that the silence is still his — what remains of him in the discretion that sets him aside. Key Theories of Maurice Blanchot By Nasrullah Mambrol on March 3, 2018 • ( 0). 5 likes. The Journals Division publishes 85 journals in the arts and humanities, technology and medicine, higher education, history, political science, and library science. Check out using a credit card or bank account with. Project MUSE® ©2000-2020 ITHAKA. The Space of Literature, first published in France in 1955, is central to the development of Blanchot's thought. This book consists not so much in the application of a critical method or the demonstration of a theory of literature as in a patiently deliberate meditation upon the literary experience, informed most notably by studies of Mallarmé, Kafka, Rilke, and Hölderlin. It remains the ungraspable which is also unreleasable: the indecisive moment of fascination. Ann Smock's fluent translation retains the tone and sense of the French; her introduction situates Blanchot in the French and American cultural spectrum and outlines the history of his critical concerns. To access this article, please, Access everything in the JPASS collection, Download up to 10 article PDFs to save and keep, Download up to 120 article PDFs to save and keep. For the work is the very decision which dismisses him, cuts him off, makes of him a survivor, without work. Writing is the interminable, the incessant. However, his inability to read the work is not a purely negative phenomenon. To write is to break the bond that unites the word with myself. Not at all. He keeps the cutting edge, the violent swiftness of active time, of the instant. But the work also retains, because of this, a content. Mastery always characterizes the other hand, the one that doesn't write and is capable of intervening at the right moment to seize the pencil and put it aside. Project MUSE is a leading provider of digital humanities and social sciences content, providing access to journal and book content from nearly 300 publishers. The work is without any proof, just as it is without any use. Journals institution. A whole range of genres and selected texts represent language groups ... Collection of essays drawn from Schopenhauer\'s \Parerga\ released in 1851 on various topics connected to ... Collection of essays drawn from Schopenhauer\'s \Parerga\ released in 1851 on various topics connected to Select a purchase Maurice Blanchot, the eminent literary and cultural critic, has had a vast influence on contemporary French writers—among them Jean Paul Sartre and Jacques Derrida. Grow Your Child's Library with Top Young Reader Series, 50% Off All Funko Wetmore Forest POP!, Plush, and More, Knock Knock Gifts, Books & Office Supplies, Buy One, Get One 50% Off Holiday Boxed Cards, Learn how to enable JavaScript on your browser, A Listening Wind: Native Literature from the Southeast, Complexity in Maurice Blanchot's Fiction: Relations Between, Culture on Two Wheels: The Bicycle in Literature. Why, if he breaks with the work, as Rimbaud did, does this break strike us as a mysterious impossibility? on Spanish writers following the Spanish Civil War: the regime’s supporters and its opponents, the victors and the vanquished. I make perceptible, by my silent mediation, the uninterrupted affirmation, the giant murmuring upon which language opens and thus becomes image, becomes imaginary, becomes a speaking depth, an indistinct plenitude which is empty. a text but also as “vehicles” for that text’s themes, ideas, and critiques. This Noli me legere is a fleeting experience, although immediate. This event occurs when the work becomes the intimacy between someone who writes it and someone who reads it. Through him, the work comes into being; it constitutes the resolute solidity of a beginning. Kafka remarks, with surprise, with enchantment, that he has entered into literature as soon as he can substitute "He" for "I." Solitude as the world understands it is a hurt which requires no further comment here. Valéry, celebrating this infinite quality which the work enjoys, still sees only its least problematic aspect.

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