1, No. All vestiges of their customary precision and prettiness are ripped away to reveal the bare wires. This was the band's final studio album for Asylum Records. “I Can’t Tell You Why,” the LP’s second track, fleshes out the callous courtship introduced in “The Long Run” and describes the pitfalls of couples “who lived through years in the dark.” Though the tone is tender, the singer offers no solution to the problem of why he and his partner are “up all night, tearing our love apart.” Newcomer Timothy Schmit’s vocals have the same pleasingly plaintive quality he brought to Poco, but the old urgency has turned ghostly, elusive. Commercially, they’ve risen as high as a band possibly can, and yet, as individuals, they still have trouble getting in touch with a girlfriend, with any true comfort or satisfaction, with their own dreams. 1 on the singles chart and won a Grammy Award. Schmit wrote the song based loosely on his own experiences; both Henley and Frey liked the song and they completed the song together. Lookin’ for the good lifeDressed to killShe don’t have to worry ’cause there’sAlways someone else who willLoose and loaded every nightDancin’ underneath the flashin’ lightSayin’ “Look at me baby, look at meI’m beautiful, I’m beautiful, I’m somebody.”.
I always liked the song and thought it could have been an Eagles record, and so we decided to make it one. In “Heartache Tonight,” we’re treated to glimpses of the rollicking insensitivity in the constant blowouts that now pass for fun. The Long Run, the Eagles first album in three years, is a chilling and altogether brilliant evocation of Hollywood’s nightly Witching Hour, that nocturnal feeding frenzy first detailed by Warren Zevon on his haunting Asylum debut (Warren Zevon, 1976) and the equally powerful Excitable Boy.
Such dreams stalk the back streets, bistros, board rooms and bedrooms where the deals for success are struck — and then metamorphose into nightmares. Unbridled by reality, this is the time when desperate dreams emerge from their lairs.
"Heartache Tonight" reached No. They leap out with thick, sharp thrusts, while the fearsome braying of Don Henley rises above the riveting tumult. 8 respectively.
It was released in 1979, on Asylum in the United States and in the United Kingdom. The original vinyl record pressings of The Long Run (Elektra/Asylum catalog no. There’s none of the tacky, Twilight Zone posturing that marred Hotel California, and the boisterous innocence of the group’s “Take It Easy” era is now far too distant to retrieve. Side two begins a new cycle of fast-lane histrionics. He’s the one figure that the dancer seeks to avoid. Upcoming Lyrics. Top Lyrics of 2010. What starts out as a mildly encouraging number about hanging in there ends up a grim homily on the solitary pleasures of flirting with the precipice: Did you do it for love?Did you do it for money?Did you do it for spite?Did you think you bad to, honey? Want more Rolling Stone? These recurring themes finally reached their apex in the song whose title has since become synonymous with high living and self-destruction: “Life in the Fast Lane.”. and the Mysterians. ), Forum Policies, Rules, and Terms of Service. The band could not come up with enough songs and the idea was therefore scrapped. [10] Don Felder wrote the tune for "The Disco Strangler" using a four-on-the-floor disco beat as the basis for the composition. The cards have been dealt and played, and all that remains is to tally the terrible cost: “Who is gonna make it/We’ll find out in the long run.”. The Long Run is the sixth studio album by American rock group the Eagles.It was released in 1979, on Asylum in the United States and in the United Kingdom. This central sense of doom is further reinforced by Joe Walsh’s “In the City,” a brittle but forceful rocker (which appeared in a different version on the soundtrack of Walter Hill’s The Warriors) that cooks up a heroic vision of the possibilities outside the urban labyrinth. The use of a "talk box" puts the song's production squarely in 1980. The Eagles live and thrive in a town where rock & roll is the foremost fame machine. “Those Shoes” dissects the ever-present limousine lovelies, certain overanxious career women who ride the razor’s edge between sycophant-socialite and slut. Another transaction on the casting couch is being lined up in “King of Hollywood.” The delicate, clipped vocals by Henley and Glenn Frey capture all the sickening heartbreak of the moment: Come sit down here beside me honeyLet’s have a little heart to heartNow look at me and tell me darlin’How badly do you want this part? The Eagles live and thrive in a town where rock & roll is the foremost fame machine. It's only a matter of time before a certain someone enters the thread to squelch any credit that Felder deserves.
[5] The band also won a Grammy Award for "Heartache Tonight". They’ve also been much influenced by Joe Walsh’s skillful use of silences, employing his spacious, stinging guitar leads as a dramatic device and breaking the rhythm section’s output into tight, percussive statements. I think a lot of it has to do with the bassline and the overall dark, moody atmosphere. This is the lament of a seasoned veteran of the star wars, a lover who’s both hardened and accusatory, asking questions to which he already knows the depressing answers. Popular Song Lyrics. [5][6] According to Don Henley, the band members were "completely burned out" and "physically, emotionally, spiritually and creatively exhausted" from a long tour when they started recording the album, and they had few songs.
When the fury subsides, the latest victim has been discarded and the town returns to business as usual.
The recording was protracted; they started recording in 1978, and the album took 18 months to record in five different studios, with the album finally released in September 1979. Billboard Hot 100. & Britannia Recording Studio, Los Angeles. They even offered the band a million dollar bonus if they completed the album in time for Christmas, 1978. The Long Run is a bitter, wrathful, difficult record, full of piss and vinegar and poisoned expectations. At that time, all the girls were wearing Charles Jourdan shows — the ones with the little ankle straps.
The title tune sets an unambitious tone: the group lopes along in a familiar country-rock framework, singing about youthful hopes and the virtues of tenacity. THOSE SHOES DON: One of my favorites. The guitars are metallic and violent.
[9] Joe Walsh also contributed the song "In the City", which was first recorded by Walsh for the movie soundtrack for The Warriors, where it was credited to Walsh, not the Eagles. It seems that the drive for success is a kind of black hole in the center of the soul — a black hole that sucks in and devours most of the feelings, generosity and commitment that could have been saved for friends, lovers or oneself. In the background, an eerie synthesizer hovers over a repetitious yet enticing guitar riff, and you get the creepy feeling that you’re being lured into an abyss.
"Those Shoes" and "Victim of Love" both had substantial input musically from Don Felder. [8] He was replaced by Timothy B. Schmit, who brought an unfinished song to the band, "I Can't Tell You Why".
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